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Firenze (Florence) Italy one of the most beautiful cities in the world. 4K film from camcorder JVC 300 CHE.


https://youtu.be/X08VzNNUrwY

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Convert Camcorder Videos to MOV with Superb Video Quality

After using your camcorder to record the events, it is necessary to convert AVCHD/MOD/MXF/XAVC camcorder videos to Mac friendly format like MOV for playing, editing and sharing.

#camera #MTS #MXF #MOD #AVCHD #QuickTime

https://camera-geek.com/convert-camcorder-videos-to-mov.html

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FLOWER

A flower for you, to love a #flower, a flower to imagine, to remember a flower, a flower to make peace, to communicate a #flower, a flower offered by Blulight gallery. Cody Simpson - Flower- Park Sigurtà - Parco Giardino Sicurtà (italy)

JVC 4K 300CHE

https://www.youtube.com/watch?v=yDqn9E6e5uk

maaf master.... mo tanya apa ada servise center tv jvc yg deket kotaku ya.... solo sekitarnya..... mohon infonya. tv sy LCD 40" matot. tq.

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The #Pagani #Zonda is a mid-engined sports car built by the Italian manufacturer Pagani. It debuted in 1999, and production ended in 2011, with three special edition cars, the Zonda 760RS, Zonda 760LH and the Zonda 764 Passione, being produced in 2012, and another special edition car, the Zonda 760RSJX, being produced at the end of 2014. By June 2009, 135 Zondas had been built, including development mules. Both 2-door coupé and roadster versions have been produced. Construction is mainly of carbon fiber.

Some of the early Zonda engineering was done by Formula One champion Juan Manuel Fangio. The car was originally to be named the "Fangio F1" after him, but, following his death in 1995, it was renamed for the Zonda wind, a regional term for an air current above Argentina.

https://youtu.be/OoD1XSTF6g8

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JVC Merges GY-HM200SP Camcorder, Scoreboard Interface To Meet Needs of Smaller Sports Shows

#JVC Professional Video is offering an all-inclusive system combining the popular #GY-HM200SP sports-production camcorder and Sportzcast Scorebot4100 scoreboard interface unit. Designed for single-camera coverage of local sports, the new GYHM200Scorebot sports-production system provides a complete streaming and recording solution that includes a real-time graphics overlay with automatic scorekeeping.


The GY-HM200SP’s built-in score overlay, which supports user-personalized team names and logos, produces game graphics without the use of an external CG or production switcher. Once integrated with the scoreboard at a venue, the Scorebot receives and processes the score and game-sequence information, then transfers it wirelessly to the camcorder in real time. As a result, the camera operator does not need to manually input score information.

“With the GY-HM200SP, JVC has significantly improved production values for single-camera game coverage for high schools, colleges, and PEG channels with limited resources,” says Craig Yanagi, product marketing manager, Professional Video Division, JVCKENWOOD USA. “Our affordable GYHM200Scorebot is the industry’s only end-to-end, single-camera sporting-event–coverage system that provides a built-in score overlay and an interface with the facility scoreboard, so scorekeeping is updated automatically and the camera operator can stay focused on the action.”

Beyond its built-in graphics, the GY-HM200SP includes the extensive professional feature set of JVC’s popular GY-HM200 4KCAM camcorder. Its built-in streaming engine with WiFi and 4G LTE connectivity allows live HD transmission to the JVC VIDEOCLOUD, Facebook Live, and YouTube, as well as broadcast IP decoders. Its integrated 12X zoom lens includes an optical image stabilizer and 24X dynamic zoom in HD mode. Other features include dual XLR audio inputs, integrated handle with hot shoe and dedicated microphone mount, and a variety of 4K, HD, and SD recording modes to economical Class 10 SDHC/SDXC memory cards.

The GYHM200Scorebot sports-production system has an MSRP of $4,450 and is available through authorized JVC Professional Video dealers.


http://www.sportsvideo.org/2017/02/10/jvc-merge-gy-hm200sp-camcorder-scoreboard-interface-unit-to-better-meet-needs-of-smaller-sports-productions/

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JVC #GY-LS300 #Camcorder Used To Shoot Car Chase Film

In the motion picture industry, previsualization helps filmmakers provide proof of concept by shooting quick, unpolished versions of complex scenes. Director and action DP Lawrence Ribeiro has directed and shot more than 100 sequences for various films and commercials. When directing his own short film, The Chase, Ribeiro wanted a slick finished product, so he shot with the GY-LS300 4KCAM handheld Super 35 camcorder from JVC Professional Video.

Essentially a 90-second car chase preceded by stylish establishing shots of Los Angeles, the film was shot over two days in Los Angeles in 2015 and released on YouTube in October 2016. Ribeiro trained for six weeks to prepare for the project and shot the film entirely handheld, choosing the GY-LS300 specifically for its design. unnamed-18

“A lot of times you’re in awkward positions and camera weight can make the difference between getting a shot. I think one key factor is how the camera combines lightness, ergonomics, and 4:2:2 recording capabilities,” says Ribeiro. “That lends itself to speed and more dynamic filmmaking. Without that combination, I couldn’t have made this piece.”

With the help of a professional stunt team and top post-production houses in Hollywood, Ribeiro created The Chase as his own high-quality showcase that harkened back to the BMW short film series from the early 2000s. “To some degree, it’s a very fancy business card,” says Ribeiro. “The images are quite good, and I didn’t even use the camera’s full 4K capabilities.”

To achieve a cinematic look, Ribeiro paired the GY-LS300 with an Olympus ED 12‑40mm f/2.8 lens. Ribeiro used the camera’s built-in LCD display to frame shots without an external monitor, while the zoom lens allowed him to get the shots he needed without changing lenses. “I’m all about efficiency,” says Ribeiro. “If you have a bigger or heavier camera, you end up getting less cutaways, less insert shots, less texture for the edit because you can’t move fast enough. I was able to manipulate settings with the JVC camera that you’d normally have to do in post.”

Designed for cinematographers, documentarians, and broadcast production departments, the GY-LS300 features JVC’s 4K Super 35 CMOS sensor and an industry standard Micro Four Thirds (MFT) lens mount. With its unique Variable Scan Mapping technology, the GY-LS300 adjusts the sensor to provide native support of MFT, PL, EF, and other lenses, which connect to the camera via third-party adapters. Other features include Prime Zoom, which allows shooters using fixed-focal (prime) lenses to zoom in and out without losing resolution or depth, and the “JVC Log” gamma setting, which expands dynamic range by 800 percent with film-like latitude.

#jvc

http://www.sportsvideo.org/2017/02/10/jvc-gy-ls300-camcorder-used-to-shoot-car-chase-film/
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