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Video Production & Filmmaking

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George Cohn

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VDFone 4 enjoy the space-time
this is not Anya interfere or relate to public advertising
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George Cohn

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Might be time to watch Reservoir Dogs again
Quentin Tarantino’s debut is remembered for its style, its soundtrack, and most of all, its graphic violence. Looking back 25 years on, Nicholas Barber takes a fresh look.
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George Cohn's profile photoJake Kern's profile photo
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Yeah, Tarantino broke some 4th wall rules, but after finding out that there was an intermission for the run in the theater, it made more sense.
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George Cohn

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A new segment from Nightline reveals how Lucasfilm digitally resurrected Peter Cushing's Grand Moff Tarkin for Rogue One, and the painstaking process.
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Yifat Cohen's profile photoBruce Goren's profile photo
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+Yifat Cohen California law has been pretty clear on this for a while now -- https://en.wikipedia.org/wiki/California_Celebrities_Rights_Act
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George Cohn

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ARTPLAY PRODUCTION's profile photoTrisha Monceaux's profile photo
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So good to be back
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George Cohn

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*Here there be spoilers!*
A warning for the curious: Only read this if you’ve already seen Doctor Strange. With the latest installment in the Marvel Cinematic Universe...
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rude asha's profile photoAneecia Mosley's profile photo
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STOP
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George Cohn

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I loved all of Breaking Bad. But if I had to pick one scene I loved most of all, this might be it.
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"yo! gatorade me bitch!"
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George Cohn

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Thelma Schoonmaker, who cuts for Martin Scorsese, talks about editing Silence.

Aside from the art itself, I find it very interesting she uses Lightworks, whereas the industry as a whole is dominated by Avid. I've used Lightworks occasionally because it's the one decent editing platform that runs on Linux. But I'm clumsy with it, I feel like I can't do anything as quickly or as smoothly and that my favorite features are missing. On the other hand, I rock on Avid. It's hard to tell if that's due to my lack of time in the saddle with Lightworks, or if Avid is really the more complete platform.
Thelma Schoonmaker, ACE is an iconic presence in the world of editing. Arguably, no name is known better in our industry. She has been teamed with Martin Scorsese in one of the longest-running director-editor collaborations in film, helping to shape cinema masterpieces such as Raging Bull, The Color of Money, The Last Temptation of Christ,
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George Cohn

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Bryan Cranston was moving around the set like a lion on the prowl. On a soundstage in Brooklyn on a late September morning, he was in his element, working on a tense, confrontational scene with act…
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George Cohn

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Do you obsess over color charts? This article will show you how deep the rabbit-hole goes.
Sometimes you set out to answer an easy query and wind up questioning fundamental assumptions. Playing with test charts shouldn’t trigger an existential crisis, but you never know… Recently the folks at DSC Labs asked me to test an experimental color chart using a new surface finish. Their simple question: are the colors on the
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George Cohn

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I can't tell from the trailer or the article whether or not the film will be worth watching. Looks like I've got until next summer to find out.
As a screenwriter, Alex Kurtzman has worked on some of the biggest franchises of the last decade. And now, as a director, Kurtzman is taking the...
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sunil rana's profile photoJim John's profile photo
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I have a hard time finding qaulity from Hollywood a good comedy is really rare 
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