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Scott Stillman
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Portrait and landscape photography in Minneapolis, Minnesota. Prints made in the traditional way in a wet darkroom.
Portrait and landscape photography in Minneapolis, Minnesota. Prints made in the traditional way in a wet darkroom.

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It's 2017 and I'm making large format film portraits with a vintage 8x10 camera that is 100 years old. This camera is the Folmer & Schwing 8x10 Home Portrait Camera No. 1 with a 14” Wollensak Velostigmat Series II lens.

Why pursue photography with this combination? Photographs such as this one are made with a "view camera", a camera where the photographer composes the image upside down and backwards on a ground glass on the back of the camera. View cameras use film that is typically 4"x5" or larger, thus called large format. Often, images made with these cameras on large format film have a look that cannot be achieved in any other medium. The tonality has a smooth gradation between tones that feels open compared to smaller film formats. Also, vintage lenses designed for 4x5, 5x7, 8x10 or larger have a timeless character that is hard to replicate with modern photographic equipment.

Part of my artistic vision is to create photographs that are not easily identified with any particular period. Sometimes clothing or hairstyle gives it away, but other times it's hard to tell whether a photograph is contemporary or made anytime back to 1928.

This portrait of a woman was made in Minneapolis, Minnesota on Arista EDU Ultra 100 black and white film and drum processed for 9 minutes in Freestyle's L110 developer at dilution H 1+62.
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High Falls on the border between United States and Canada. This is one of the must-see places in Minnesota near Grand Portage. Captured with a medium format Bronica EC camera on black and white film.
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A favorite from Grand Cayman
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