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reza panahi
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Drawing is a language;a means of communications in the of signs with evry visual sign having a particular meaning and function which in addition to aesthetic values, possesses a unique atmosphere that steams from the artists techniques and performance the visual world of create depicts the metamorphosis of deconstraction and the blending to together of signs and the resulting image's have caused my technique to take on a diversity of sorts in terms of instruments which, in turn, produce a diver sity of forms in the method of depiction, such forms"in my work everywhere ranging from objective and subjective. My composition are routed in Persian miniature painting, in that the Asian... element's and signs are painted in juxtaposition to and often over each other' there is no perspective for the eyes to ultimately be led to a single focal point; in Iranian painting -there is an equal amount of image in all four corners of the frame without any of light and shadow. For instance, there is no night. Light is daylight where people's are holding torches or lamps and the waiver has to make out whether this is nighttime and that fantasy of the mind is rooted in a philosophical establishment. That I have tierd to blend in with the basis of my work fluidity in from and the execution is rooted in fluidity of mind and leads to a method of depiction that is contradictory and inconsistent in term of wives and meaning constituting the main components of post-modernism which I have tired to represent in the form of coded language the presence of suspense in the overall message of the piece and the US of coded language stems from life in a land whose conflict-ingly imperfect and repressive reality has turned me away from the cruel societal realities and toward isolation and structural protest that are expressed as imagi-nary images. I should. Not that I understand painting to be a medium, for instance, the explicit etchings of the tragedies of war ' in addition to possessing Artistic value, served as a media network to in form Europe a about what went on in Spain, the emergence of high-speed mass media, gave me the idea to change the news-Bering role in my work to portray a sense of chaos and disarray in an inward fashion in line with the result of my work, to close I should point out that painting thake of the fundamental characteristics of the land where it is created; in Iran paintings have always portrayed a magical or decorative nature. And I intend to keep that characteristic in my work'
Drawing is a language;a means of communications in the of signs with evry visual sign having a particular meaning and function which in addition to aesthetic values, possesses a unique atmosphere that steams from the artists techniques and performance the visual world of create depicts the metamorphosis of deconstraction and the blending to together of signs and the resulting image's have caused my technique to take on a diversity of sorts in terms of instruments which, in turn, produce a diver sity of forms in the method of depiction, such forms"in my work everywhere ranging from objective and subjective. My composition are routed in Persian miniature painting, in that the Asian... element's and signs are painted in juxtaposition to and often over each other' there is no perspective for the eyes to ultimately be led to a single focal point; in Iranian painting -there is an equal amount of image in all four corners of the frame without any of light and shadow. For instance, there is no night. Light is daylight where people's are holding torches or lamps and the waiver has to make out whether this is nighttime and that fantasy of the mind is rooted in a philosophical establishment. That I have tierd to blend in with the basis of my work fluidity in from and the execution is rooted in fluidity of mind and leads to a method of depiction that is contradictory and inconsistent in term of wives and meaning constituting the main components of post-modernism which I have tired to represent in the form of coded language the presence of suspense in the overall message of the piece and the US of coded language stems from life in a land whose conflict-ingly imperfect and repressive reality has turned me away from the cruel societal realities and toward isolation and structural protest that are expressed as imagi-nary images. I should. Not that I understand painting to be a medium, for instance, the explicit etchings of the tragedies of war ' in addition to possessing Artistic value, served as a media network to in form Europe a about what went on in Spain, the emergence of high-speed mass media, gave me the idea to change the news-Bering role in my work to portray a sense of chaos and disarray in an inward fashion in line with the result of my work, to close I should point out that painting thake of the fundamental characteristics of the land where it is created; in Iran paintings have always portrayed a magical or decorative nature. And I intend to keep that characteristic in my work'

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