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Caitlin Rowley
Attends Morley College
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Caitlin Rowley

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I've spent the past month immersed in recordings and Logic 9 to produce this album for RPM Challenge. Free download from BandCamp or you can also find it on my SoundCloud. It's been a great project - really developed the way I approach recording sounds and how I use them, also brought my technical skills and understanding along in leaps and bounds. Looking forward to doing more work like this!
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Rampaging towards the performances of Breadcrumbs at Tete a Tete: The Opera Festival this weekend, here's a tiny glimpse of our Tuesday rehearsal in Greenwich Park
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Apologies - had to tweak that dropping video and reupload, so I've deleted the previous link and the new version is now in glorious widescreen at http://youtu.be/4Qq4HM7FMbM
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If you're in Greenwich at lunchtime, come along to this - the singers have created an amazing performance from a huge variety of styles - classical, popular, musical numbers, folk songs, Tom Waits, Charles Ives… oh, and me! Four songs I wrote on Tuesday night to texts written by the singers themselves!
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Caitlin Rowley

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A fifth dropping piece! I'm particularly pleased with this one (although I need to either sort out my lighting situation or get a proper video camera...)
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So the result of having finished my project is finally having prepped a bunch of audio files. Among them these recordings from the workshop of my experimental song-cycle-in-progress, Crossing Dartmoor. Be warned: It's very slow and a full half-hour long! You may want to fortify yourself with tea… Performers are Simon Oliver Marsh, tenor (and granite stone-tapper), and Alexandra Kremakova, piano.
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Just got back from a weekend on Dartmoor, walking the moors with a huge assortment of photographic, video and audio recording equipment, collecting sights and sounds for my song cycle. Here's a tiny sneak peek!
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Performance tonight! My first choral piece, Drowning Songs, is being premiered by the Trinity Laban Chamber Choir UNDER the Cutty Sark in Greenwich. They're also doing Judith Bingham's Salt in the Blood, with brass ensemble. Going to be fantastic! More details at http://caitlinrowley.com/performances/
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I've just finished reading this book, which I thought was excellent so thought I should share. It's about musical entrepreneurship - why and how-to - with a classical music focus and even with a whole chapter specifically on musical ways composers can earn money. Some great ideas in here and an easily digestible read too!
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Have her in circles
99 people
Elfrida Ismolli's profile photo
Dorian Whitmore's profile photo
Elisabeth Howson's profile photo
Jason McKenzie's profile photo
Heather Roche's profile photo
Stanley Igbinovia's profile photo
Rachel Rhodes's profile photo
Jon Mapp's profile photo
Gemma Mccurdy's profile photo
Work
Occupation
Composer. Web interface developer (HTML/CSS specialist)
Basic Information
Gender
Female
Other names
minim
Story
Tagline
Australian classical/experimental composer living near London. Sometimes known as Minim
Introduction
Australian classical/experimental composer and artist living in the UK. I used to make websites. Now I mostly make music/art/stuff and write about music/art/stuff and the making thereof.
Education
  • Morley College
    Music, 2014 - present
    Taking some short courses at Morley College to fill in some gaps in my knowledge and get me out of the house. So far: Location Sound and Field Recording with Sherry Ostapovitch (2014); Currently taking Sound Art 1 with Camilo Salazar.
  • Trinity Laban Conservatoire of Music and Dance
    Composition, 2012 - 2014
    Master of Fine Arts Creative Practice (Music) (with Distinction)
  • London College of Music
    Composition (independent student), 2011 - 2011
  • University of Technology, Sydney
    Design, 2000 - 2005
    Graduate Diploma in Design (with Distinction)
  • Australian Film Television and Radio School
    Screen Composition Seminar, 1998 - 1998
  • University of Sydney
    Composition (Music Department), 1991 - 1995
    Bachelor of Music (with Honours)