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Tm Broadcast
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The Broadcasting News Magazine.TM Broadcast Magazine
The Broadcasting News Magazine.TM Broadcast Magazine

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The Ace XL offers an increase of 2 kilograms of maximum payload capacity over the previous mode.

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Ed Sheeran is once again using +Sennheiser’s Digital 9000 Series microphone system and 2000 series wireless monitors, supplied by production company Major Tom.

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+GatesAir announces that Cordillera Communications —a TV station group based in St. Paul, Minnesota— has selected GatesAir transmission equipment and services for three of its local stations that must relocate their UHF channels in accordance with the FCC’s spectrum repack transition schedule.

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+IBCshow announces the shortlist for the IBC2017 Innovation Awards. The international judging panel reviewed an array of entries, settling on 11 finalists from around the world, all offering different solutions.

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SGO has announces the availability of its VR focused solution, Mistika VR. Available immediately, the software-based solution has been developed using Mistika technology.

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+Snell Advanced Media (SAM) has announced that BT Sport has used its LiveTouch replay and highlights system for its first ever 360/VR UHD production of the UEFA Champions League final on Saturday, June 3, 2017.


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St. Louis Blues selected +Grass Valley, a Belden Brand, to upgrade the video equipment in their home arena in three months from order to install, prior to the start of their 2016-2017 season.


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Lightspeed Live Capture 2.0 focuses on digitizing of tape archives for improved access and longevity.

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+Clear-Com was Cirque de Soleil’s intercom provider of choice for the company’s Broadway musical ‘PARAMOUR’. The show, which closed out a year-long run on April 16, 2017, used Clear-Com’s HelixNet wired and FreeSpeak II wireless intercoms to provide complete coverage throughout the 1,932 seat, 24,000 square foot Lyric Theater.


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ELEMENTS will be implementing 25/100 GbE connectivity in its media server and storage appliances. Used for high-end grading, compositing and editing of workflows in 4K RAW – not currently possible using existing 10GbE technology. 25/100 GbE also wins over 10GbE being possible to deploy with a 40% lower cost bandwidth.

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