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EMULSIVE - film.photography
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film.photography
film.photography

99 followers
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Gear porn - Graflex / Linhof Grip - Ilford FP4+ (120)
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Gear porn – Graflex / Linhof Grip
Ilford FP4+ shot at EI 100
Black and white negative film in 120 format shot as 6×6
Over exposed ⅓ stop – Mamiya C330F + Sekor 80/2.8
 
Gear porn – Graflex / Linhof Grip Ilford FP4+ shot at EI 100.Black and white negative film in 120...
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Large version at: http://emulsive.org/photography/gear-porn-graflex-linhof-grip-ilford-fp4-120 -
Filed under: #35mm_format, #Photography,
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#SummerFilmParty August 2017 Winner Announcement
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Welcome to the winner announcement for the second of 2017’s three #SummerFilmParty events.
Voting ran from September 7th to 13th and covered photographs posted via Twitter tagging @SummerFilmParty and using the #SummerFilmParty hashtag in these categories:
 

#Landscape
Nature or...
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Large version at: http://emulsive.org/articles/summer-film-party/summerfilmparty-august-2017-winner-announcement
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Filed under: #Articles, #Summer_Film_Party, #Summer_Film_Party, #SummerFilmParty

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Afloat
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Shot on Bergger Pancro 400 at EI 200.
Black and white negative film in 120 format shot as 6x6.
Orange 21 filter, Hasselblad Planar F 80 F/2.8, Pyrocat-HD 1:2:100.
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Filed under: #Medium_format, #Photography, #120_Format_Film, #2017_September, #6X6, #Bergger, #Bergger_Pancro_400, #Black_And_White_Negative_Film, #EI_200, #EI_400, #EMULSIVE_Daily_Photo, #Filter__Orange_21, #Hasselblad, #Hasselblad_2000FCW, #Hasselblad_Planar_F_80_28, #ISO_200, #ISO_400, #PyrocatHD

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Reflection - Fuji 64D 8552 (35mm)

2016-09-19 – Reflection
Fuji 64D 8552shot at EI 64
Color negative motion picture film in 35mm format
 
Reflection Fuji 64D 8552 shot at EI 64. Motion picture film in 35mm format.
 
Contribute to EMULSIVE
EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge...

Large version at: http://emulsive.org/photography/reflection-fuji-64d-8552-35mm
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Filed under: #35mm_format, #Photography, #2016_September, #35Mm_Format_Film, #EI_64, #EMULSIVE_Daily_Photo, #Fuji, #Fuji_64D_8622, #ISO_64, #Motion_Picture_Film__Color_Negative
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Why shoot film? - Gerhard Reininger

So…why shoot film?
Frankly, there is no sensible reason for shooting film. Concerning technical issues, digital has outrun film in most aspects: more pixels, incredible ISO-range, faster processing speed – let alone the possibilities of instant control and even making movies. So…....

Large version at: http://emulsive.org/articles/why-shoot-film-gerhard-reininger
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Filed under: #Articles, #Why_Shoot_Film, #Gerhard_Reininger
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The latest #EMULSIVE interview: I am Raymond van Mil and this is why I shoot film

To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might. So, when I came across today’s interviewee, the opportunity to have a chat......

Continue reading at: http://emulsive.org/interviews/raymond-van-mil-shoot-film


Filed under:
#Canon, #Canon_EOS3, #Fuji, #Fuji_Instax_Wide, #Fuji_Pro_400H, #Kodak, #Kodak_Ektar_100, #Mamiya, #Mamiya_Universal, #Sigma, #Sigma_Art_35_F14

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Introducing the EMULSIVE 2016 Secret Santa

2016/10/31: UPDATE HERE!
Some small details are still being finalized but I’m proud to be able to announce the return of the EMULSIVE Secret Santa for 2016! Before you go clicking on the link, please have a read of the below.
For those of you who played last year, please hold tight, as...

Large version at: http://emulsive.org/articles/secret-santa/introducing-the-emulsive-2016-secret-santa

Filed under: #Articles, #Secret_Santa #Secret_Santa, #Secret_Santa_2016
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Photostory - Beauty from disaster by Louis Sousa

I’ll keep this short.
I’d like to present a ten-step process that may help you to obtain beauty from disaster (as I did below). They are as follows:

Shoot a beautiful truck (in my case) with 35mm Kodak Ektar 100. The perfect film for brilliant blue.
Sweat all over the film spool in...

Large version at: http://emulsive.org/articles/photostory-beauty-from-disaster-by-louis-sousa
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Filed under: #Articles, #Photostory, #35Mm_Format_Film, #Color_Negative_Film, #Kodak, #Kodak_Ektar_100, #Nikon, #Nikon_282, #Nikon_FE2, #Unicolor_C41
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Seen better days - Kodak EKTACHROME E100GP (120)

2016-09-15 – Seen better days
Kodak EKTACHROME E100GP shot at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Expired and cross processed
 
Seen better daysKodak EKTACHROME E100GP shot at EI 100. Color reversal (slide) film in 120 format shot as 6×6. Expired and...

Large version at: http://emulsive.org/photography/seen-better-days-kodak-ektachrome-e100gp-120
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Filed under: #Medium_format, #Photography, #120_Format_Film, #2016_September, #6X6, #EI_100, #EMULSIVE_Daily_Photo, #Hasselblad, #Hasselblad_Planar_F_8028, #ISO_100, #Kodak, #Kodak_EKTACHROME_E100GP, #Slide_Film__Color_Reversal
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