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TV Nikola RIKANOVIĆ Serbian Broadcasting Corporation- RTS 1999
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Nikola RIKANOVIC
Nikola RIKANOVIC

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Maestro Jovan Kolundzija- Violin;
https://www.youtube.com/watch?v=sz_ydERAQPU 
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Maestro Jovan Kolundzija- Violin;
https://www.youtube.com/watch?v=sz_ydERAQPU
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Maestro Jovan Kolundzija- Violin;
https://www.youtube.com/watch?v=sz_ydERAQPU
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Dear Nikola,

Thanks for your interest in the 8th Edition of ART Habens. We have been very impressed with your artistic production and we are glad to inform you that your works have been selected for publication in the next Special edition of ART Habens Art Review.
In particular, we have highly appreciated the way your unconventionally insightful exploration of the notion of deconstruction, as well as your multifaceted inquiry into the consciousness of the invisible confines of the medium challenges the viewers' perceptual parameters establishing deep involvement on both the emotional aspect and on the intellectual one. So we'll be pleased to submit you a personal interview that will be published in the next special issue of our art review. You can read the recent issues of ART Habens Art Review at:

Special Issue 2016 https://joom.ag/8d4W
Special Issue 2015 https://joom.ag/L34W
Special Issue 2014 https://joom.ag/Bz4W

Please send us an updated artist's statement and 14 high resolution images to be published close to the text of the interview, as usual.

For any further clarification, do not hesitate to contact us.

Sincerely,

ART Habens Team
http://arthabens.yolasite.com
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Submission 2477 Nikola RIKANOVIC:
Status: SELECTED

> Artist Against The War
> Nikola RIKANOVIC - Serbia
>
> Ambiental-Installation:
>
> CRIME AND PUNISHMENT
> https://plus.google.com/u/0/b/107038102090979168365/107038102090979168365/posts?hl=en&service=PLUS
>
> TV Video, Beta SP; C;
>
> TV Nikola RIKANOVIĆ Serbian Broadcasting Corporation- RTS 1999
> https://plus.google.com/u/0/b/106689484725815554537/106689484725815554537/posts?hl=en&service=PLUS
>
> Jovan Despotović
> Art historian and art critic
>
> Aesthetic ideology on its own ruins
> Almost until today, all problem-stylistic or poetic lines in the art of this century brought to its final stages. In this general process of summing up the new generation of artists in the recent work practices or creative production at the same time as the 'view' in two directions: one look at them facing the past in which they find and recognize role models who are closest to their own creative temperament, mentality or sensibility, the other is aimed at the future through the opacity of which seek to penetrate course convinced that creating a time (and aesthetic) permanent work. However, undoubtedly the fact that, in real terms, taking, their work is just one of many details of the current artistic moment, but one that might exist in the future if it contains the necessary experiential blending component prior art with intuition and imagination of a new form and its meaning.
> Ambient installation Nicholas Rikanovic exhibited on this occasion is firmly positioned precisely on such troznačnoj point. His basic creative idea here is obviously derived from the avant-garde idiom of constructivism 'Russian artistic experiment', especially from the circle Tatljinovih Fine reliefs and corner reliefs kontrareljefa incurred 1913-14. year. For them it was the most characteristic that the actual space used as an equal visual element, or, as he himself pointed out, work with 'real materials in real space. These principles of construction and construction led him to being 1919-20. ways (albeit only as a model), his major work - 'Monument III internationalization' that was supposed to be erected in Moscow as the central propaganda and artistic city of world communism in whose avant-garde ideological and political leadership of the then claimed the young Soviet society.
> But the appearance Rikanovic the exhibition refers to the viewer an idea of ​​frozen, stored the remains of a charred, decaying, 'dekontruisanog' Monument (Tatljinovog or some other completely irrelevant). These apocalyptic scenes memorial remains something pre-existing could be a proposal for a new monument IV (or where more?) Internationalization (left, but quite the opposite - that what we see out on the same totalitarian ideology) on the edge (or even outside) any (novosvetskog) order right here and just at the end of the century (and millennium). According to these features spacious setting, just totally understood ambiance Nicholas Rikanovic rounded the whole 'engagement' in the plastic creation and project himself as a possible sign of this epoch transferred further into the future, ie. the extended through a permanent art weather.
> When, finally, focus on the present moment, the question arises whether the artists are now able to share their excitement transferred to the company (such as those from the historical avant-garde and revolutionary war period), which stands on the brink of a general (national and state) disaster? It is obvious, in fact, that the former artistic utopia (or any other such political, ideological or social) transformed into practice today in the brutal scenes of general disappearance, destruction, destruction ... The metaphor of the modern notion of the destruction of a work of art as much as it seems gallery (i general exhibition) space of the new art is easily transferred to the characteristic features of external reality, and in this type of plastic art methods of deconstruction actually symbolically indicates clearly state the literal destruction as the dominant ideological category liquid fine de siecle - reflected in the wrong mirror: the need for earlier construction transformed into a destructive instincts, optimism going into the new, twentieth century has been replaced by the fear of extremely dangerous future hinted at the threshold of XXI century: the next thousand years of the third millennium look, from the nearby cataclysmic perspective, as a period whose end is not going to wait.
> This would be the final and was the target of warnings Nicholas Rikanovic.
>
> Jovan Despotović
> In Belgrade, 15- 22 March in 1999.
> Nikola Rikanović "Ambient installation" before. Cat. solo exhibition, the Center for Cultural Decontamination "Veljkovic Pavilion", 6th 1999 "aesthetic ideology on its own ruins," Danas, 21. 6. 1999 s. 9, III program of Radio Belgrade, 21. 6 in 1999.
>
> http://www.jovandespotovic.com/?page_id=3684

FUTURITY!
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