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idrioema

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idrioema featured in Eterne Partenze 2012
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idrioema

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19th July _ Our works "d e f r a c t a" and "s y n t a x e a" will be screened from VerticalCinema @ Being². 2012 _ Gwdihw in Cardiff, Wales 

http://verticalcinema.wordpress.com/screenings/vc-being2/
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idrioema

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Many Thanks to Anti-Utopias !!
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idrioema

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s o o n
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v e r t e a _ new release
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idrioema

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i k / o n,  i n T r a 09   and   a e q u a

have been selected to be presented in File Hypersonica Screening  
that will be part of File 2012 - Electronic Language International Festival

from July 17 to August 19

in the Art Gallery of SESI-SP, located in the Centro Cultural FIESP - Ruth Cardoso, on Paulista Avenue, 1313, in São Paulo, Brazil.

http://www.filefestival.org/site_2007/pagina_trabalhos.asp?a1=309&a2=860&id=2
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idrioema

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Many thanks to Dataisnature: Idrioema – Fossilized Morphologies & Ghost Architectures
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idrioema - defracta _ extracts

The present composition defractea from the Latin word "diffractus" is focused on a particular phenomenon of the sound: the diffraction.

It happens all the time that somehow something restricts or obstructs a wavefront.
When a wave encounters an obstacle in his way or is forced to pass through a small crack, it takes advantage of his ability to shatter and to reconstruct, scattering, beyond the obstacle or the slit.

In this regard, for the composition, the sound recordings have been made in the internal staircases of two buildings with architectural structures and properties very different from each other in which it was possible to pick up the sounds coming from the apartments, windows and doors and then be extrapolated from their original space-time context and subsequently processed and overlapping such as debris of resonances, highlighting the harmonic components for the construction of a third spatial structure.

defracta:
Intolerance of limit
for absolution of the absolute

idrioema © 2012

www.idrioema.tk
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The present composition is focused on the concept of language, primarily on it's written and oral form.
Every language, whether written or oral, contains symbols and its own distinctive sounds that distinguish it from others by providing a specific identity and hence uniqueness.

Syntax has the meaning of order and this order is dictated by the syntactic composition model adopted.
To order, therefore, different languages by means of a unique syntax of composition, paradoxically lead not only to a sort of hybridization but also to a highlighting of the different symbolic and sonorous variables of the individual languages involved.

In this regard, a poem has been translated into different languages and then has been processed using the same programming language, typical of Internet browsers, leading to build a horizontal babel with the vain purpose of standardize the comunication.
This construction is destined to collapse by the structure used as insufficient and inappropriate to the assumption and contrary to its own intrinsic value in the diversity of its components because it tends to destroy both the form and substance of symbols and original meanings.

communication without communicability: silence

The sounds used are the result of the conversion of text using speech synthesizers and their following transformations.

audio track: http://soundcloud.com/idrioema/idrioema-syntaxea

idrioema © 2012

www.idrioema.tk

Note: Watch it in HD fullscreen mode.
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Have them in circles
7 people
Antonino Chiaramonte's profile photo
Andrea Arcella's profile photo
Shaun Paikai's profile photo
Alessandro De Vita's profile photo
Anna Maria Pugliese's profile photo
Story
Tagline
ism | soundart | experimental | minimal | avantgarde | sound design | acousmatic | glitch | noise | silence
Introduction
A multimedia project by Luigi Scotti & Teresa Águas based in Portugal.

It has the objective to explore the sound giving to the sensorial organs not only a passive absorption but a true organic conscience of what the sound provokes interacting with themselves.
It is the augmentation of all our senses don' t perceive;

to create a physical experience of the intellect...