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Maurizio M. Gavioli
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If C# is one semitone above C, what about C++?
If C# is one semitone above C, what about C++?

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Inizia la 59ª Sagra della Mimosa

Con l'apertura del Concorso e Mostra Fotografica Fiori d'Autore è iniziata ieri pomeriggio la 59ª Sara della Mimosa.

La Mostra, organizzata dalla ATS Pieve Ligure, dal Gruppo Fotografico di Chiavari e dall'Associazione Amici dell'Oliveto presso i Campi Sportivi di Pieve Ligure, espone un centinaio di fotografie di soggetto floreale e include una sezione dedicata agli ulivi pievesi.

La Mostra rimarrà aperta fino a domenica 14 febbraio. Durante questo periodo, i visitatori potranno votare la foto preferita e il vincitore sarà premiato il pomeriggio del 14 durante la festa di chiusura della Sagra.
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2016-02-07
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Inizia la 59ª Sagra della Mimosa

Con l'apertura del Concorso e Mostra Fotografica Fiori d'Autore è iniziata ieri pomeriggio la 59ª Sara della Mimosa.

La Mostra, organizzata dalla ATS Pieve Ligure, dal Gruppo Fotografico di Chiavari e dall'Associazione Amici dell'Oliveto presso i Campi Sportivi di Pieve Ligure, espone un centinaio di fotografie di soggetto floreale e include una sezione dedicata agli ulivi pievesi.

La Mostra rimarrà aperta fino a domenica 14 febbraio. Durante questo periodo, i visitatori potranno votare la foto preferita e il vincitore sarà premiato il pomeriggio del 14 durante la festa di chiusura della Sagra.
PhotoPhotoPhoto
2016-02-07
3 Photos - View album

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Looks a bit puzzled, but even he tried one...

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For the "Is-there-anything-which-cannot-be-done-with-a-viola-da-gamba?" Department...

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Another little known one...

If anybody is interested, the work is published by Güntersberg: http://www.guentersberg.de/noten/en/g233.php

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Another little known composer of music for viola da gamba! And another late one... Definitely, our instrument took longer to disappear than usually thought.

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12 Fantasien für die Viola di Gamba by G.P. Telemann brought back to light!

Thanks to +Luca Mollica for pointing me to this great new!

#telemann #violadagamba #fantasie  

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Soriano’s Canons again!

Almost two years have elapsed since the publication of the first volume of the 110 Canons on Ave Maris Stella by Francesco Soriano, which includes the first 55 canons, all in 4 voices (tempus fugit!).

Recently I resumed the work on the second volume, which is planned to include the remaining 55 canons in 4, 5, and 6 voices. About one third of it is already entered in +MuseScore ver. 2.0.2, collating the two main sources: the 1610 Robletti print and a XVII century manuscript, both held at the Museo Internazionale e Biblioteca della Musica in Bologna (its collection can be browsed at http://www.bibliotecamusica.it/cmbm/scripts/gaspari/src_aut.asp ).

Next steps will include several passes of proof-reading, determining ficta, preparing the additional typographic elements (in particular the incipit’s and the front matters) and splitting the master file into the two clef-specific versions.

With some luck, the score of this important but under-known contrapuntal work by Soriano will be completed around end of 2015 - beginning of 2016. For the occasion, the first volume will be re-edited in an updated revision, taking advantages of the last released Musescore version. In the meantime, the score first volume can be freely downloaded at: http://vistamaremusica.com/data/soriano-f/canoni/score.php

#soriano #canons  
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New score from VistaMare Musica, under the unusual title Stricturæ Viola-di Gambicæ comes a collections of ouvertures (loosely intended) and dance movements by David Funk (1648-1699?) grouped into 4 suites.

The second suite makes clear that four bass viols are intended, making them a rather challenging score. A note in the first part, however, allows to play most of the movements in a Violetta (treble viol).

The second suite in D major, in particular, is remarkable for the long initial movement, articulated in an Allegro, a Saraband (sic) and an Adagio. The Saraband includes a double for each of the four parts in quite a virtuoso show off.

While being, on one hand, a rather late example of the viol consort tradition, these suites are peculiar for the use of four basses and for the fully Baroque language. Even if rather demanding technically, they are a worth addition to the repertory of any viol consort. A recording of the Stricturæ has been published recently by Naxos.

The edition includes a version in original clefs and one in modern ‘viol’ clef (treble, alto and bass) and is available for free download in PDF, MusicXML and MuseScore 2.0 native format.  At http://vistamaremusica.com/data/funck-d/stricturae/score.php

#funck #violadagamba #gambe #stricturae  

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New score from VistaMare Musica, under the unusual title Stricturæ Viola-di Gambicæ comes a collections of ouvertures (loosely intended) and dance movements by David Funk (1648-1699?) grouped into 4 suites.

The second suite makes clear that four bass viols are intended, making them a rather challenging score. A note in the first part, however, allows to play most of the movements in a Violetta (treble viol).

The second suite in D major, in particular, is remarkable for the long initial movement, articulated in an Allegro, a Saraband (sic) and an Adagio. The Saraband includes a double for each of the four parts in quite a virtuoso show off.

While being, on one hand, a rather late example of the viol consort tradition, these suites are peculiar for the use of four basses and for the fully Baroque language. Even if rather demanding technically, they are a worth addition to the repertory of any viol consort. A recording of the Stricturæ has been published recently by Naxos.

The edition includes a version in original clefs and one in modern ‘viol’ clef (treble, alto and bass) and is available for free download in PDF, MusicXML and MuseScore 2.0 native format.  At http://vistamaremusica.com/data/funck-d/stricturae/score.php

#funck #violadagamba #gambe #stricturae  
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