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Art at blinc
Worked at Wales
Lives in Wales, United Kingdom
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"I first became interested in animation while working towards my BA in Architecture at the University of Cambridge. Working heavily with 3D modelling I designed buildings which were intended to be experienced as cinematic sequences and exhibited strong use of narrative structure in their layout. Following my BA I worked as a volunteer artist on Bassam Kurdali’s ‘Tube’ project in the BitFilms incubator lab at Hampshire College, Northampton, Massachusetts. There I focussed primarily on model and set design as well as being involved in special effects programming.

Following my time in the US I undertook a postgraduate diploma in Character Animation at Central St Martins, studying character acting and trying to further my script-writing abilities. With that experience I was able to gain a place on the Royal College of Art’s Animation MA programme. I spent the first year of my two years at the RCA trying to develop my drawing and script-writing, in both cases working from life and observation as much as possible. Alongside my practice I also undertook theoretical research towards my dissertation on the topic of audience perception of narrative construction in film. In my final year my time was almost completely consumed with the production of my graduation film, “The North Sea Riviera”.
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Ruaidhri Ryan (London) is currently studying a postgradu- ate degree at the Slade School of Fine Art, University College London, he has exhibited nationally and internationally in film festivals, television and galleries.
Predominantly working with film & video, but occasionally designing clothes and furniture, Ruaidhri observes ‘perpetual longing and dissapointment’ through a deconstruction of cinema and images, of people and place.
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Check this out. Clever, Creative and we all love it 
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Katie Goodwin (UK) ‘I have been described as a cinematic magpie. Most of my source material is gleaned from the cutting room floor of the film production process.  I seek to reveal the stuff that the audience never sees, reprocessing and exposing moments that would otherwise be lost forever. Recycling waste and celebrating hidden labour are persistent intentions in my practice. Rescuing a moment or object and reanimating it is a form of bringing it alive - a kind of memento vivere. As my practice develops the found footage is more widely sourced from the scientist’s laboratory or amateur filmmaker’s attic or a chance junk market find from the anonymous auteur, but continues to explore the fetishisation and tangibility of a rare and unseen object.
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Have her in circles
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Tom Senior is our artist of the day today and will be exhibiting his delicate animated short, Sunday Morning. He is a recent graduate of the Royal College and we are pleased that he's showing with blinc for the first time..
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Darren Banks (UK) incorporates found and made film footage into sculpture and installation to explore ideas about domesticity, defunct technologies, cinema and the unknown. The work questions the perception of sculpture in relation to objects, film and memory.

Banks is interested in the possibility of film as sculpture. Within his practice sculpture is not just confined to three dimensions, but can exist on and within different platforms and plateaus. As a horror film fanatic he’s intrigued by the aesthetic and structural devices used within the genre. Banks’ reworks the formal vocabularies of horror by isolating its tropes, use of montage and architecture.
Banks’ uses film by embedding it into sculptural assemblages. He believes in the neutrality between different objects, media and materials. For example, he uses film/video/internet in the same way as a piece of string or an ironing board. Accepting that film/video exists on the same plane as direct experience gives it equal footing in the world. Being open to this neutrality between objects, materials and media enables the work to escape the confines of the physical; creating new spaces within the work, where gravity is optional and objects and characters can take on new meaning through the processes of deconstruction and reconfiguring.
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Tessa Garland is our Artist of The Day Today.. “I originally trained as a sculptor but for many years my work has been preoccupied with the moving image. Cinematic language allows me to explore and create places by piecing and layering together footage of journeys through spaces. I tend of focus on a place, landmark or idea and work with it over a long period of time, allowing it to grow in significance. I often build scale models to help me to understand and focus on my subjects, this preparatory work is filmed and reworked digitally to create short inserts that are collaged and layered together. Sound is vital to the work and once meshed with the imagery form atmospheric, often dreamlike work that is reminiscent of a memory or a premonition.
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Kika Nicolela (Zurich / São Paulo) is a Brazilian artist, filmmaker and independent curator. Her works include single-channel videos, installations, performances, experimental documentaries and photography. Graduated in Film and Video by the University of Sao Paulo, Kika Nicolela also completed film courses at UCLA University and is currently doing a Master of Fine Arts at the Zurich University of the Arts (ZHDK)
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Have her in circles
71 people
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Arts Festival
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Conwy Is the venue this year for over 30 Artists. Run along side the Conwy Food Festival. Its the perfect weekend..
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