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Eduardo Carli de Moraes (Depredando o Orelhão)
Worked at Fósforo Cultural
Attends UFG
Lives in Goiânia
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Eduardo Carli de Moraes

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When you live in the United States, with the roar of the free market, the roar of this huge military power, the roar of being at the heart of empire, it’s hard to hear the whispering of the rest of the world. And I think many U.S. citizens want to. I don’t think that all of them necessarily are co-conspirators in this concept of empire. And those who are not, need to listen to other stories in the world – other voices, other people.

Under the shelter of the U.S. government’s rhetoric about the war against terror, politicians the world over have decided that this technique is their best way of settling old scores. So whether it’s the Russian government hunting down the Chechens, or Ariel Sharon in Palestine, or the Indian government carrying out its fascist agenda against Muslims, particularly in Kashmir, everybody’s borrowing the rhetoric. They are all fitting their mouths around George Bush’s bloody words.

After the terrorist attack on the Indian Parliament on December 13, 2001, the Indian government blamed Pakistan (with no evidence to back its claim) and moved all its soldiers to the border. War is now considered a legitimate reaction to terrorist strikes. Now through the hottest summers, through the bleakest winters, we have a million armed men on hair-trigger alert facing each other on the border between India and Pakistan. They’ve been on red alert for months together. India and Pakistan are threatening each other with nuclear annihilation. So, in effect, terrorists now have the power to ignite war. They almost have their finger on the nuclear button. They almost have the status of heads of state. And that has enhanced the effectiveness and romance of terrorism.

The U.S. government’s response to September 11 has actually privileged terrorism. It has given it a huge impetus, and made it look like terrorism is the only effective way to be heard. Over the years, every kind of nonviolent resistance movement has been crushed, ignored, kicked aside. But if you’re a terrorist, you have a great chance of being negotiated with, of being on TV, of getting all the attention you couldn’t have dreamt of earlier.

(…) The policies the U.S. government is following are dangerous for its citizens. It’s true that you can bomb or buy out anybody that you want to, but you can’t control the rage that’s building in the world. You just can’t. And that rage will express itself in some way or the other. Condemning violence is not going to be enough. How can you condemn violence when a section of your economy is based on selling weapons and making bombs and piling up chemical and biological weapons? When the soul of your culture worships violence? On what grounds are you going to condemn terrorism, unless you change your attitude toward violence?

ARUNDATHI ROY. The Checkbook and the Cruise Missile - Conversations With David Barsamian, Foreword by Naomi Klein. South End Press. Published in 2004.  p. 51/52 & 117. Available at Toronto Public Library.
When you live in the United States, with the roar of the free market, the roar of this huge military power, the roar of being at the heart of empire, it's hard to hear the whispering of the rest of...
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Eduardo Carli de Moraes

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Why do most “official” feminists and women’s organizations in India keep a safe distance between themselves and organizations like the 90.000-member Krantikari Adivasi Mahila Sanghatan (Revolutionary Adivasi Women’s Association) that is fighting patriarchy in its own communities and displacement by mining corporations in the Dandakaranya forest? Why is it that the dispossession and eviction of millions of women from land that they owned and worked is not seen as a feminist problem?

In a country like India, a rapid radicalization of women took place in the 1960s and ’70s. Most radical, anticapitalist movements were located in the countryside, where patriarchy continued to rule the lives of women. Urban women activists who joined these movements (like the Naxalite movement) had been influenced and inspired by the Western feminist movement.

Many women activists were not willing to wait any longer for the “revolution” in order to end the daily oppression and discrimination in their lives, including from their own comrades. They wanted gender equality to be an absolute, urgent, and nonnegotiable part of the revolutionary process and not just a postrevolution promise.

Intelligent, angry, and disillusioned women began to move away and look for other means of support and sustenance. As a result, by the late 1980s, around the time when the Indian markets were opened up, the liberal feminist movement in India had become inordinately NGO-ized. Many of these NGOs have done seminal work on queer rights, domestic violence, AIDS, and the rights of sex workers.

But significantly, the liberal feminist movement  has not been at the forefront of challenging the New Economic Policies, even though women have been the greatest sufferers.

The NGO-ization of the women’s movement has also made Western liberal feminism (by virtue of its being the most funded brand) the standard-bearer of what constitutes feminism. The battles, as usual, have been played out on women’s bodies, extruding Botox at one end and burkas at the other.

When, as happened recently in France, an attempt is made to coerce women out of the burka rather than creating a situation in which a woman can choose what she wishes to do, it’s not about liberating her but about unclothing her. It becomes an act of humiliation and cultural imperialism. Coercing a woman out of her burka is as bad as coercing her into one. It’s not about the burka. It’s about the coercion.

Viewing gender in this way, shorn of social, political, and economic context, makes it an issue of identity, a battle of props and costumes. It’s what allowed the US government to use Western feminist liberal groups as moral cover when it invaded Afghanistan in 2001. Afghan women were (and are) in terrible trouble under the Taliban. But dropping daisy cutters on them was not going to solve the problem.

ARUNDHATI ROY.
Capitalism: A Ghost Story. Pg. 35-37.
Chicago: Haymarket Books. 2014.
Why do most "official" feminists and women's organizations in India keep a safe distance between themselves and organizations like the 90.000-member Krantikari Adivasi Mahila Sanghatan (Revolutiona...
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Eduardo Carli de Moraes

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"To doubt, today, that manmade climate change is happening, you must abandon science and revert to some other means of understanding the world: alchemy perhaps, or magic.

Ice cores extracted from the Antarctic show that the levels in the atmosphere of carbon dioxide and methane (these are the two principal greenhouse gases) are now higher than they have been for 650.000 years.

Carbon dioxide (CO2) levels have been rising over the 20th century faster than at any time over the past 20.000 years. The only means by which greenhouse gases could have accumulated so swiflty is human action: carbon dioxide is produced by burning oil, coal and gas and by clearing forests, while methane is released from farms and coal mines and landfill sites.

As CO2 and methane levels in the atmosphere increase, the temperature rises. The concentration of carbon dioxide, the more important of the two, has risen from 280 parts per million parts of air (ppm) in Marlowe’s time to 380 ppm today. Most of the growth has taken place in the last 50 years. The average global temperature over the past century has climbed, as a result, by 0.6º Centigrade. According to the World Metereological Organization, “the increase in temperature in the 20th century is likely to have been the largest in any century during the past 1.000 years.



Already sea ice in the Arctic has shrunk to the smallest area ever recorded. In the Antarctic, scientists watched stupefied in 2002 as the Larsen B ice shelf collapsed into the sea (see The Guardian’s Antarctica Sends 500 Million Tonne Warning of the Effects of Global Warming, 20 March 2006, by John Vidal).  A paper published in Science magazine concluded that is disintegration was the result of melting caused by a warming ocean.

Almost all the world’s glaciers are now retreating. Permafrost in Alaska and Siberia, which has remained frozen since the last Ice Age, has started to melt. Parts of the Amazon rainforest are turning to savannah as the temperatures there exceed the point at which trees can survive… The World Health Organization estimates that 150.000 people a year are now dying as a result of climate change… All this is happening with just 0.6 ºC of warming.

The Intergovernmental Panel on Climate Change (IPCC), a committee of climate specialists which assesses and summarizes the science, estimated in 2001 that global temperatures will rise between 1.4 and 5.8º C this century. (…) Professor Martin Parry of the UK’s Metereological Office estimates that a rise of just 2.1º C will expose between 2.3 and 3 billion people to the risk of water shortages. The disappearance of glaciers in the Andes and the Himalayas will imperil the people who depend on their meltwater, particularly in Pakistan, western China, Central Asia, Peru, Ecuador and Bolivia.

The UN Food and Agriculture Organization warns that “in some 40 poor, developing countries, with a combined population of 2 billion, crop production losses due to climate change may drastically increase the number of undernourished people, severely hindering progress in combating poverty and food insecurity.”

G. MONBIOT
A FAUSTIAN PACT In Christopher Marlowe's play The Tragical History of Doctor Faustus, written in 1590 (and that would later inspire Goethe's Faust), he tells the story of a brilliant scholar, "glut...
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WATER NEVER THE SAME

Beside a flowing river sit and gaze,
And see how it perpetually runs
In wave on wave, in many thousand turns,
As through the fields it takes its fluid ways.

Thou’lt never see again the wave which first
Flow’d by thee; water never the same;
It passes day by day, although the name
Of water and of river doth persist.

So changes man, and will not be tomorrow
That which he is today, he cannot borrow
That strenght which time doth alter and consume:

Until our death one name we do retain;
Although today no parcel doth remain
Of what I was, the name I still assume.

* * * * *

ASSIEDS-TOI SUR LE BORD D’UNE ONDANTE RIVIÈRE

Assieds-toi sur le bord d’une ondante rivière :
Tu la verras fluer d’un perpétuel cours,
Et flots sur flots roulant en mille et mille tours
Décharger par les prés son humide carrière.

Mais tu ne verras rien de cette onde première
Qui naguère coulait ; l’eau change tous les jours,
Tous les jours elle passe, et la nommons toujours
Même fleuve, et même eau, d’une même manière.

Ainsi l’homme varie, et ne sera demain
Telle comme aujourd’hui du pauvre corps humain
La force que le temps abrévie et consomme :

Le nom sans varier nous suit jusqu’au trépas,
Et combien qu’aujourd’hui celui ne sois-je pas
Qui vivais hier passé, toujours même on me nomme.

JEAN-BAPTISTE CHASSIGNET
English translation by Frank Warnke
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WATER NEVER THE SAME Beside a flowing river sit and gaze, And see how it perpetually runs In wave on wave, in many thousand turns, As through the fields it takes its fluid ways. Thou'lt never see a...
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Eduardo Carli de Moraes

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COSMOS: A SPACETIME ODYSSEY [2014] Download the complete 1st season (13 episodes): Hosted by Neil deGrasse Tyson Reboot of Carl Sagan’s 1980 Cosmos Reviews: Slate - Huffington Post - Vulture.com * ...
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Eduardo Carli de Moraes

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Manufacturing Consent: Noam Chomsky and the Media Funny, provocative, and surprisingly accessible, MANUFACTURING CONSENT explores the political life and ideas of Noam Chomsky, world-renowned lingui...
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4 Landmark Jazz Albums from 1959:

MILES DAVIS, Kind of Blue
ORNETTE COLEMAN, The Shape of Jazz to Come
DAVE BRUCKECK QUARTET, Time Out
CHARLES MNGUS, Ah Um

Listen to the full albums:

http://awestruckwanderer.wordpress.com/2014/06/24/bbcs-1959-the-year-that-changed-jazz-full-documentary-miles-davis-dave-brubeck-charlie-mingus-ornette-coleman-john-coltrane-etc/

Watch BBC's documentary (click link below)
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“DERRIDA is a playful, personal and theoretical portrait of the internationally renowned French philosopher, Jacques Derrida. Best known for originating the movement known as “deconstruction,” Derrida’s radical rethinking of the precepts on which Western metaphysics are founded has deeply influenced the studies of literature, philosophy, ethics, architecture and law, indelibly marking the intellectual landscape of the 20th and 21st centuries.

Produced with Derrida’s full cooperation and consent, the film is the most ambitious cinematic project ever undertaken with a world-class philosopher. Initiated by Amy Ziering Kofman, who studied with Derrida at Yale in the 1980s, and co-directed by Kirby Dick and Ziering Kofman, Derrida is neither a conventional film biography nor a primer on his thinking. Rather, in the spirit of Derrida’s own writing, the film investigates the concept of biography itself and explores the nature and limitations of the cinematic form in addressing philosophical thought.

Braiding together rare vérité footage of Derrida in his private life with his reflections on deconstruction, violence, the structure of love, the history of philosophy and the death of his mother, the film raises questions about the relationship between the public and the private, the personal and the theoretical, the biographical and the  philosophical. It is a rich and moving meditation on both Derrida himself and the themes that haunt and inspire his work.”
An odd portrait of Jacques Derrida, one of the most polemical and influential theorists of the end of the 20th century. The filmmakers 'deconstruct' the French thinker's private and professional li...
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DOMÍNIO PÚBLICO (2014, 98 min)
Documentário completo
Uma produção Paêbirú Realizações Cultivadas
http://youtu.be/dKVjbopUTRs

Entre 2011 e 2014, o documentário investigou as transformações no Rio de Janeiro por conta dos megaeventos: UPPs nas favelas, remoções forçadas, privatizações de espaços públicos e revoltas populares. Entrevistados: Deputado Federal Romário, Juca Kfouri, David Harvey, entre muitos outros.
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DOMÍNIO PÚBLICO (2014, 98 min) Documentário completo Uma produção Paêbirú Realizações Cultivadas Entre 2011 e 2014, o documentário investigou as transformações no Rio de Janeiro por conta dos megae...
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Have him in circles
441 people
Work
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Jornalista, Filósofo, Músico, Escritor
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  • Fósforo Cultural
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Goiânia
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Introduction
weird in the head & wild at heart

Rebentos na Blogosfera:

CULTURA + MÚSICA + POLÍTICA
http://www.depredando.blogspot.com
http://www.depredando.tumblr.com

CINEMA + FILOSOFIA
http://www.esteticoscopio.blogspot.com 

LITERATURA + POESIA + FILOSOFAGENS
http://www.acasadevidro.wordpress.com

Bragging rights
Filmes favoritos >>> Dogville, Clube da Luta, Magnólia, Naked, Decálogo, Doutor Fantástico, Buffalo '66, Amnésia, Persona, Before Sunset/Before Sunrise, Amélie Poulain, Admiração Mútua, E Tua Mãe Também, O Raio Verde, Ônibus 174, Adeus Lênin!, Brilho Eterno de uma Mente Sem Lembranças, Vício Frenético, Festa de Família, Edukators, 21 Gramas, Réquiem para um Sonho, A Liberdade é Azul, Se7en, A Morte Do Caixeiro Viajante, M.A.S.H., O Homem Que Copiava, A Última Noite, A Woman Under The Influence, Marcas da Violência, Spinal Tap, The Molly Maguires, O Jardineiro Fiel, Aconteceu Naquela Noite, As Horas... Músicas favoritas >>> Wilco, Sleater-Kinney, John Frusciante, Nirvana, Los Hermanos, Fiona Apple, Ramones, Mutantes, Soundgarden, Distillers, Alice in Chains, White Stripes, Arcade Fire, Rancid, Jeff Buckley, Damien Rice, Bob Dylan, Fugazi, Ray LaMontaghne, Save Ferris, Screaming Trees, Elliott Smith, Bright Eyes, Riot-grrrl, Radiohead, Teenage Fanclub, Neutral Milk Hotel, Clash, Jeff Buckley, Weezer, Jimi Hendrix, Velvet Underground, Pavement, Richard Hell, Kinks, Johnny Thunders, riot girll, proto-punk e punk 77. Jazz: Charles Mingus, Donald Byrd, John Zorn, Art Blakey, Miles Davis, John Coltrane. Clássica: Schubert, Bartók, Beethoven. Autores favoritos >>> André Comte-Sponville, Victor Hugo, John Steinbeck, Jankélévitch, Ernest Becker, Céline, Kundera, Cioran, Marcel Conche, Erica Jong, Shakespeare, Proust, Sartre, Moravia, Saramago, Hilda Hilst, Lautreamont, Baudelaire, Fernando Pessoa, Rimbaud, Nietzsche, Cortázar, Vonnegut, H Miller, Kazantzakis, Eduardo Gianetti, Freud, Gombrowicz, Kafka, Etty Hillesum, A Huxley, Pirandello, Suskind, Beckett, Schopenhauer, Clarice Lispector, Jean Genet, Feuerbach, Ian McEwan, Evelyn Waugh, Stefan Zweig, Gustavo Corção, Ken Kesey.
Education
  • UFG
    Mestrado em Filosofia, 2011 - present
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