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My Black Hawk Mines Music
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A news portal and entertainment blog that caters to music fans of all ages.
A news portal and entertainment blog that caters to music fans of all ages.

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The American Music Awards 2013 was held last Sunday at Nokia Theater and it was very easy figuring out who are the real w9inners were.

“This is about the fans tonight,” Imagine Dragons frontman Dan Reynolds said as the band collected for favorite alternative rock artist.



Winners naming Taylor Swift, Justin Timberlake and One Direction who brought home several  trophies during the night knew whom they owed it to.

 

It was the fans that received the most impassioned gratitude amongst pop stars, there were even no academy thanked but still label brass and glam squads got shout outs and of course God was acknowledge.

 

Award buddies such as the American Music Awards, the MTV Video Music Awards and the Billboard Music Awards to rely on the public to choose the night’s winners as a counter to the prestigious industry inclusiveness of the Grammys, this has a long been tradition for the awards shows.

 

Apiece of the declared telecasts has morphed into painfully unsurprising ordeal in the past years.

 

While it is still driven by the fans, shows aspiring to grip the age of social engagement have incorporated digital social engagement — Tweeter, YouTube/Veve views, Facebook — to dictate nominations — and winners.

 

And as a result the process has taken away what’s left of the element of surprise.

 

The madness that rang out among the audience at just the announcement of names like that of One Direction, Timberlake, Miley Cyrus and Swift, hurriedly predicted the night.

 

Taking home four trophies was Swift winning big.  Timberlake and One Direction both performed and also awarded multiple wins.  Every appearance they drove panic to the teenage girls in the audience.

 

The boys of One Direction fawned over those fans who probably spent hours logging their votes online and through Twitter, and on Sunday they were rewarded but Swift, Rihanna and Miley Cyrus were their heroines while Timberlake still pulled heartstrings.

 

But finally that rampant fandom sucks the joy out of these shindigs.

 

“I cannot thank you enough. This validates that if you voted for this that we are heartbroken the same way and we fall in love the same way and we are happy the same way,” Swift said as she won artist of the year. “If you decided on something as wonderful as this, we are pretty much in this together, aren’t we?” Well played.

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New Building Is a “Musicians Resource Center”

 

Once more, the air conditioning went kaput at the MusicGarage’s previous location on 1700 South in the middle of July this year, the sweltering heat was enough to make program founder/director Steve Auerbach seek out some new digs due to the blazing-hot glory of summer that made a major bummer

 

The MusicGarage now is located at 250 W. 1300 South, it began in 2009 as an after-school program housed in a 12-foot-by-12-foot room at the Utah Arts Alliance, and it is just west of the 1300 South Trax station.  “This place had more lint in the ducts than you can ever imagine,” Auerbach says.  Its prior use as an appliance-repair store might seem like a far cry from anything music-related, but with its spacious layout and convenient location, it’s perfect for the big plans he has in mind for the space.

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Describing it as a multifunction, multipurpose music venue and “musicians resource center,” Auerbach says the newly renovated 190-capacity, 2,700-square-foot building features a full sound system, a digital light system, a stage, a production/green room and several other rooms than can be divided into areas for local teachers to hold individual music lessons.  The whole space can also be rented out for private events like the bar service is available by request or to those who needs a spot to host a wedding reception or wanting to shoot a high-quality video of a live performance by their band without a crowd of strangers jostling the camera.

 

Auerbach says he’d also like to open the stage to more than just music acts, including comedy, theater and spoken-word performances, as well as feature local art in the foyer—complete with gallery-style track lighting.

 

Regardless of all the changes and despite the fact that the MusicGarage is still a music-education program at its core it is devoted to providing accessiblehigh-quality, creativity-nurturing musical instruction through a sliding-scale fee system and scholarship fund. Each and every genres of music are taught, and the group sessions endorse collaboration.  At the same time as MusicGarage is popular for teaching kids, adults are also welcome to come and learn.  Auerbach opens to start next year, future classes like the adult jam session and the rock & roll choir, which will start in January and be open to all ages.

 

To celebrate the grand opening of the new building, a private party/concert was held at the MusicGarage on Friday, Nov. 22, featuring local bands Minx and Cavedoll and MusicGarage graduate bands The Departure and Cosmic Aeroplane.

 

Auerbach says the MusicGarage is essential to the students’ musical development, and gives the kids “a place where they can fit in, a place where they can belong. And all of this becomes like sacred ground for them.”

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Another sign of how musicians are finding new ways to push, sell and promote their music, Jay-Z partnered with Samsung for his new album, “Magna Carta Holy Grail”.  Jay-Z, a multiplatinum performer who famously rapped "I'm not a businessman, I'm a business, man", continues to leverage his enduring popularity into a successful brand.
On July 4, just three days before the album's official release date, Jay-Z will give his new album to 1 million users of Galaxy mobile phones.  During the three-minute commercial in the NBA Finals, the 43-year-old broke the news about his twelfth album
Details about the Samsung-Jay-Z deal, announced Sunday, weren't made public as both parties did not allow interviews.
While music industry is at a time when album sales are low and the digital market has taken the lead in the music industry, Jay-Z's partnership is just another way of artists’ promotions.
President of the National Association of Recording Merchandisers (NARM) Jim Donio said top level acts like Jay-Z and Taylor Swift have the power to launch new albums in spectacular ways with various partners.
"For an artist whose album release is an event in itself ... they carry with them a much wider profile in the marketplace that they speak to, so their audience and all the things that they do affords these unique opportunities," he said.
Taylor Swift, one of the top sellers in music, had her second platinum-debut week with "Red" last year. Her partnerships for the album included Target, Walgreens and Papa John's (you could order a pizza and a Swift album at the same time).
"Even if you didn't purchase the CD, her face was still on the pizza box," Donio said.
Jay-Z's latest partnership is one of his many business deals. Roc Nation agency, the one who manage Jay-Z’s agency as well as Rihanna, Shakira and other musicians, recently expanded into the sports world, and he now is helping the careers of New York Yankee Robinson Cano, New York Jets rookie Geno Smith and others.  Jay-Z has launched fashion lines, has a string of 40/40 nightclubs, was also the president of Def Jam and owned part of 1 percent of the Brooklyn Nets.
Samsung likely partnered with him on his new album because Jay-Z is still a consistent hit maker and a superstar who transcends music.  Samsung has chipped away at Apple's share of the mobile market with its Galaxy phones, and companies are depending more on music to attract new customers. 
Will the 1 million downloads count toward first-week sales of the album, giving it elite status of debuting with platinum sales, an accomplishment few artists have achieved? That was one of the many questions about the Samsung deal still unanswered.  Billboard tracks album sales and chart information for the industry.  They did not return emails seeking comment.  Samsung apparently bought the albums though it's uncertain what the price-point was.
Monday, Jay-Z made it clear what he felt the trade publication should do.
"If 1 Million records get SOLD and billboard doesn't report it, did it happen? Ha," Jay-Z tweeted, adding: "Platinum!!!"
Donio said he thinks more deals like Samsung-Jay-Z are on the horizon.
"The record labels that are putting out the music and partnering with a variety of types of commerce outlets are going to look at just anything and everything that may work with that particular artist and that particular album release," he said

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Babies can hear sounds from the outside world as early as when they are still in the womb.  Music is one type of noise that gets a lot of attention.  According to preliminary researches it appears to indicate that your unborn child might enjoy and benefit slightly from a daily dose of music although the jury is still out on the true impact of prenatal exposure to Mozart and Bach.

 

More or less at 17 weeks gestation a baby can start to hear sounds, normally just about the condition when the mother starts on feeling the first tiny flutters of movement and prior to the baby’s sex is clearly identifiable.  At the time when the baby is on his 26 weeks, his heartbeat will rate rapidly in response to sounds, including music that comes from outside the womb. Babies have been observed breathing simultaneously with the music, signifying consciousness of the beat happening during 33 weeks gestation and by 38 weeks, a baby in the womb responds in a different way to different types of music, showing different rates of fetal movement

 

 

According to Baby Center, the true effect of music on prenatal development remains unknown.  A loosely-controlled preliminary study in the “Music Educators Journal” in 1985 found that babies exposed to music before birth had longer attention spans than expected for their age and imitated adult sounds better.  One more small study in 1997 in “Pre- & Peri-Natal Psychology Journal” looked at babies enrolled in a program called FirstStart, which exposed unborn babies to musical stimulation. These babies demonstrated better motor skills, language development and cognitive skills from birth to six months comparing to the control group of babies.  On the other hand, since these studies were minute and have not been recurring, the query of whether and how much music influences unborn babies stays under investigation.

 

Back in 1991, a study concerning six pregnant women and a broader follow-up study in 1993 both examined at whether babies could be familiar with music they had heard in the womb after birth.  Music includes: Classical piano music, vocal music and rock music were all played through headphones on the mother’s belly.  Babies who heard music in the womb reacted with more awareness and physical actions during six weeks after birth, demonstrating that they have known the music they had heard in the womb. According to the BBC, this recognition of prenatal music experiences might actually last 12 months or more after birth. Letting babies listen to familiar music after birth might aid to calm a restless child who identifies the tune.

 

Mothers should remember that if they want to expose their unborn baby to music should not turn the volume up too loud.  The too loud music could over stimulate the fetus or even damage the developing ear.

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Hip hop star Lauryn Hill gets three months for tax evasion
Last year Lauryn Hill pleaded guilty to three counts of failing to file tax returns on more than $1.8 million of income between 2005 and 2007 and faced up to three years in prison.

 

Hill has credited her failure to pay taxes to years of pressure she practiced as a recording star all at the same time with raising six children, causing her to go underground and shut away from the public eye.

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BLACK HAWK MINES MUSIC: HOW MUSIC BENEFITS THE BRAIN 

Persons with no musical background were not only visibly more skilled after completing two weeks of regular exercise on a piano keyboard, their brains also changed measurably according to the studies by the University Hospital San Raffaele (Milan, Italy), presented at the 22nd Meeting of the European Neurological Society (ENS) in Prague.

The study also endow with evidence that even a diminutive episode of ambidextrous exercise directs to improved organization and more objective action between the left and right brain hemisphere.  The training also leads to better reactions to the nerve impulses in the fingers musculature.
 
In addition, the musical stimuli also provoked a structural rebuilding of gray matter in those brain regions that are implicated in harmonized movement.  The study exposed that the harder the task was, the better. 

The brains 'neuroplasticity' a process in which the brain automatically reconstructs itself in response to a given task so that its internal structure and organization are best suited to a demand, scientists have only just researched about this.  Neuroplasticity works by automatically establishing enhanced interconnection of regularly used areas of the brain, at the same time as resources are wan down from those not oftenly used. 

As two studies demonstrated Practicing music radically and efficiently speed up self-optimization of definite brain activities.

Researchers requested 12 musically inexpert accomplices to inishf ten 35-minute practice sessions on an electronic piano keyboard within a two-week period, in the first study.  They scrutinized the participants' hand movement method before and after the training was done, demeanor neurophysiological tests by means of a 32-channel EEG (electroencephalogram) and a transcranial magnetic stimulation (TMS).

All participants achieved a dramatic increase in their motor skills dramatically through training, yet the most surprising result was the harmonization in which both hands were able to perform, the results revealed. 

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She Can't Pay says the Woman Who Lost Downloading Case

Pirates are not just hunting oceans’ floor but also the music industry.  There’s still no way she can pay record companies the $222,000 judgment she owes said the Minnesota woman at the center of a long-running court fight over the unauthorized downloading of copyrighted music after the U.S. Supreme Court declined to hear her appeal Monday.

The justices did not give remark on their decision.  The amount was excessive argued by the attorneys of Jammie Thomas-Rasset, of Brainerd.

In the early to mid-2000s, the music industry filed thousands of lawsuits in opposition to people it charged of downloading music without authorization and without paying for it.  Most of these cases were settled for about $3,500 apiece.  Only two defendants refused to pay and went to trial one of them is Thomas-Rasset while the other was former Boston University student Joel Tenenbaum.  The later also lost and was ordered to pay $675,000.

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Music Industry and Piracy Law

The music industry has given a judicious endorsement to European Union moves intended at limiting Internet piracy.

The copyright directive was "a workable proposal", said the industry's umbrella group, the International Federation of Phonographic Industries.

IFPI, representing around 1400 major and independent record companies worldwide, said the newly-adopted UK legislation, requiring measures from ISPs to curb piracy on their networks, sets a powerful example to other countries.

IFPI chairman John Kennedy said: "The passing of the Digital Economy Act in the UK recognizes that if a country is to have world-class creative industries, then it also needs laws that will effectively protect their rights from the crippling problem of digital piracy

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If 2012 meant to the dub step it is not the case this year because 2013 cannot come quick enough.  

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In a span of merely few weeks, Psy (real name Park Jae-Sang), a chubby 34-year-old, made everyone a Gangnam Stylists.
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