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Beth Watkins
Works at Spurlock Museum
Attended University of Illinois at Urbana-Champaign
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Beth Watkins

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<I>Teen Bhubaner Pare</i>
Along with Saat Pake Bandha  and Pratham Kadam Phool , Teen Bhubaner Pare  makes a trilogy of 1960s films with Soumitra Chatterjee about a young couple who should have paid more attention to the red flags that popped up before they married. Saat Pake Bandha...
Along with Saat Pake Bandha and Pratham Kadam Phool, Teen Bhubaner Pare makes a trilogy of 1960s films with Soumitra Chatterjee about a young couple who should have paid more attention to the red flags that popped up before they married. Saat Pake Bandha is the best of these films, combining the ...
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<I>Agni Pariksha</i> and <I>Chhoti Si Mulaqat</i>
[Spoilers.] I wanted this to be a thoughtful comparison of two films made over a dozen years apart, the basic story traveling from one industry to another but taking its leading man and several visual details along for the ride. Unfortunately, subtitles did...
I wanted this to be a thoughtful comparison of two films made over a dozen years apart, the basic story traveling from one industry to another but taking its leading man and several visual details along for the ride. Unfortunately, subtitles did not materialize on Agni Pariksha, ...
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Beth Watkins

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<i>Chaowa Pawa</i> and <i>Jay Jayanti</i>
Doing some research on Indian remakes of American films while also spelunking through the filmography of Uttam Kumar has recently led me to two delightful Bengali films based on American classics: Chaowa Pawa , which is one of at least six Indian remakes of...
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Beth Watkins

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mini-reviews: catching up with 2014 (plus bonus 2013)
Hasee Toh Phasee SO GOOD. A heroine who is a complete, complex, smart, funny, imperfect person—and by imperfect I mean full of conflicting needs and passions, not just "falls down endearingly in front of the hero." And a hero who's an actual nice guy whose ...
SO GOOD. A heroine who is a complete, complex, smart, funny, imperfect person—and by imperfect I mean full of conflicting needs and passions, not just "falls down endearingly in front of the hero." And a hero who's an actual nice guy whose struggles are equally empathetic.
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hopping and skipping through the decades: Bengali mini-reviews
(Another in an irregular series of posts with various short-ish reviews in them. There's no theme to this collection other than "stuff I happened to watch.") Saheb Bibi Golam  1956 When I first watched the Hindi version for our podcast on iconic female Hind...
I don't get nearly the sense of danger in the Bengali version that seems to haunt the Hindi one, which results in a corresponding lack in commentary on the decline of feudal society and all that juicy stuff that's in films like Jalsaghar. The debauched men don't seem as horrible, Chhoti Bahu's ...
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<I>Humpty Sharma Ki Dulhania</i>
Charmed. CHARMED.  It's rare that any film trying so hard to reference DDLJ and its twenty-year-old arm-flinging ilk actually succeeds as a romance that is both timeless and contemporary. What I love about Humpty Sharma Ki Dulhania is that almost every aspe...
It's rare that any film trying so hard to reference DDLJ and its twenty-year-old arm-flinging ilk actually succeeds as a romance that is both timeless and contemporary. What I love about Humpty Sharma Ki Dulhania is that almost every aspect of it is collaborating in making a story that uses both ...
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Have her in circles
240 people
Kkamal Khan's profile photo
Mandira Desai's profile photo
shreya shah's profile photo
Nilanjana Bhattacharjya's profile photo
David Foster's profile photo
Michael Robinson's profile photo
Ram Solanki's profile photo
Miranda Singler's profile photo
Azeez Khan's profile photo
 
<I>Agni Pariksha</i> and <I>Chhoti Si Mulaqat</i>
[Spoilers.] I wanted this to be a thoughtful comparison of two films made over a dozen years apart, the basic story traveling from one industry to another but taking its leading man and several visual details along for the ride. Unfortunately, subtitles did...
I wanted this to be a thoughtful comparison of two films made over a dozen years apart, the basic story traveling from one industry to another but taking its leading man and several visual details along for the ride. Unfortunately, subtitles did not materialize on Agni Pariksha, ...
1
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Beth Watkins

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one-a-decade mini reviews
Think of this as a very poorly organized survey course in Indian cinema studies. Bou Thakuranir Haat  1953 A young Uttam Kumar, only a few years into his career, wears a lot of sixteenth-century frippery and tries to protect the aging Pahari Sanyal from mac...
Think of this as a very poorly organized survey course in Indian cinema studies. Bou Thakuranir Haat 1953. A young Uttam Kumar, only a few years into his career, wears a lot of sixteenth-century frippery and tries to protect the aging Pahari Sanyal from machinations from a more sinister member ...
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Beth Watkins

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<i>Chaowa Pawa</i> and <i>Jay Jayanti</i>
Doing some research on Indian remakes of American films while also spelunking through the filmography of Uttam Kumar has recently led me to two delightful Bengali films based on American classics: Chaowa Pawa , which is one of at least six Indian remakes of...
1
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Beth Watkins

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mini-review: <I>Aabra Ka Daabra</i>
(The screen grabs are from the 3D version of the film, so they look awful here.) "A Hindi version of Harry Potter ca. 2000" seems like sufficient description, but even after watching the amazing reports on the film from both  Pretentious Movie Reviews * and...
(The screen grabs are from the 3D version of the film, so they look awful here.) "A Hindi version of Harry Potter ca. 2000" seems like sufficient description, but even after watching the amazing reports on the film from both Pretentious Movie Reviews* and Neon Harber's Deja View**, ...
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hopping and skipping through the decades: Bengali mini-reviews
(Another in an irregular series of posts with various short-ish reviews in them. There's no theme to this collection other than "stuff I happened to watch.") Saheb Bibi Golam  1956 When I first watched the Hindi version for our podcast on iconic female Hind...
I don't get nearly the sense of danger in the Bengali version that seems to haunt the Hindi one, which results in a corresponding lack in commentary on the decline of feudal society and all that juicy stuff that's in films like Jalsaghar. The debauched men don't seem as horrible, Chhoti Bahu's ...
1
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<I>Bobby Jasoos</i>
Yay! The female lead is front and center in the story, the emotion, and even billing and promotion. There are probably few women other than Vidya Balan that the film industry would risk doing this with—maybe Rani Mukherjee ( Aiyaa, the upcoming Mardaani ), ...
Yay! The female lead is front and center in the story, the emotion, and even billing and promotion. There are probably few women other than Vidya Balan that the film industry would risk doing this with—maybe Rani Mukherjee (Aiyaa, the upcoming Mardaani), Kangana Ranaut (unless Revolver Rani ...
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People
Have her in circles
240 people
Kkamal Khan's profile photo
Mandira Desai's profile photo
shreya shah's profile photo
Nilanjana Bhattacharjya's profile photo
David Foster's profile photo
Michael Robinson's profile photo
Ram Solanki's profile photo
Miranda Singler's profile photo
Azeez Khan's profile photo
Work
Occupation
Museum exhibit development, education, and publications; thinking and writing about Bollywood films. Love - and miraculously compensated for - both.
Employment
  • Spurlock Museum
    Education and Publications Coordinator, 2003 - present
  • Wall Street Journal
    India Real Time columnist ("Bollywood Journal"), 2011 - 2012
  • Spurlock Museum
    graduate assistant/academic hourly, Education and Publications, 2000 - 2002
Basic Information
Gender
Female
Other names
Just because it's fine in Pride and Prejudice does not mean you should call me Lizzie. EVER.
Story
Tagline
Beth Loves Bollywood
Introduction
Hindi films museums writing coffee knitting architecture singing Shashi Kapoor travel Canada gigglesnort Europuddings lovely friends everywhere Masala Zindabad!
Bragging rights
Always up for pancakes. Usually on time. Seldom angry. Never bored.
Education
  • University of Illinois at Urbana-Champaign
    library and information science, 2000 - 2002
  • University of Toronto
    museum studies, 1996 - 1998
  • University of Illinois at Urbana-Champaign
    history, 1992 - 1996