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Paul Prudence
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https://vimeo.com/202079172

The Mylar Topology is an audio-visual performance work intended for panoramic projection (3 screen span) and spatial sound. The piece synchronizes binaural drones with generative video simulations of liquid forms (abstracted and distorted)

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New portfolio page at transphormetic.com - something I've been meaning to do since 2011.

www.transphormetic.com

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The eagerly awaited HOLO2 magazine finally shipped at the end of 2016 with ‘236 pages of emerging trajectories in art, science, and technology’.

I contributed an essay, ‘A Million Random Digits’, towards the magazine’s key theme of randomness and chance. The piece explored the arcane history of true random number generation and its paradoxical implications:

‘Email encryption, computer simulation, probability modelling, stock market analysis – many of modern society’s essential processes are fueled by numerical noise. Noise that is difficult to generate, and impossible to verify or fully understand. Looking into our long history of channeling randomness reveals strange tales of mathematical obsession, human fallibility, and the extreme limits of knowledge’

http://www.paulprudence.com/?p=617

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5 Years late for the disco. I now have an Instagram. https://www.instagram.com/mrprudence/
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Re-entering the land of software simulated video feedback. These Autotrophs are from 2010.
www.paulprudence.com/?p=138 
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7/25/16
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https://vimeo.com/166958469

'The Machine’s immobility in time is proportional to its rotation in space'

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360° projection [14 projectors] performance at Kunskapel, Amsterdam for Audio-Visual-Spatial, April 16th 2016
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2016-04-19
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