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The New Criterion

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is Hillary Clinton above scandal, or below it?
http://bit.ly/1PjwZbf
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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The special poetry issue is now online!
William Logan on Ezra Pound, Michael Anderson on Langston Hughes, and a new translation of Hesiod's "Works and Days" by A. E. Stalling:  www.newcriterion.com
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The Critic's Notebook is out! Our picks for the best to see, hear, and read this week:
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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Renzo Piano, Robert Frost, and Jefferson Davis, together at last!

Our March issue is out now: www.newcriterion.com
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Alan Gilbert is leaving the New York Philharmonic. We have questions. 

http://bit.ly/1DIrThY
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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The Critic's Notebook is out! This week: Rakes, Bookaneers, lapdogs, and loners
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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The New Criterion

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The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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The New Criterion

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What's new in our Critic's Notebook? Heroes, valleys, and Netanyahu's (not that Netanyahu, but close) "A Happy End."
http://bit.ly/1C1YEZO
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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The New Criterion

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"There were two really great things about this year’s Armory Show. The first was that I didn’t have to take a bus to get to Volta [...] The second was that so many of my friends hate-liked my photo of Mickalene Thomas’s bronze pair of Crocs that my Klout Score went up two whole points."

Our former associate editor takes in the shows.

http://bit.ly/1AfRM6p
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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Eric Simpson reviews Ginastera’s 'Turbae ad passionem Gregorianam' at Carnegie Hall:

http://bit.ly/1B2vPKG
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The Critic's Notebook is out! This week: Lovers, paintings, and disagreements.
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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Reviewer Natasha Simons: "The Iceman Cometh is one of those plays that many feel they have to see only once—and perhaps not even quite that many times."

Luckily, BAM's staging of the play is less taxing and more excellent than most.
The New Criterion, now edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion has emerged as America's foremost voice of critical dissent.
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A monthly review on arts, politics, and cultural criticism.
Introduction
The New Criterion, edited by Roger Kimball, was founded in 1982 by art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion began as an experiment in critical audacity—a publication devoted to engaging, in Matthew Arnold’s famous phrase, with “the best that has been thought and said.”
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