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A beautiful tribute to the great David Bowie:
http://soundsof71.tumblr.com/tagged/david-bowie
music recorded, released and on the charts in 1971, classic rock's classic year ...and related stuff...
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The Society of Motion Picture and Television Engineers® (SMPTE®), a leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the newly crafted NAB Show's 'The Future of Cinema Conference: The Immortal Movie,' produced in partnership with SMPTE, will explore how content creators and storytellers combine artistry with motion-imaging technology to thrive today — and especially into the future. Scheduled for April 16-17 during the 2016 NAB Show, the refocused technical conference will examine this topic with an emphasis on the work and inspiration of the industry's newest generation of filmmakers. Registration for the conference opened on Dec. 21.
SMPTE® and NAB Renew Technology Summit With 2016 'The Future of Cinema Conference'; Registration Opens Dec. 21. The 2016 NAB Show's 'Future of Cinema Conference: The Immortal Movie,' Produced in Partnership With SMPTE, Will Feature Future-Facing Perspectives on the Technology of Storytelling.
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Todd Masters, Founder and President of MASTERSFX has announced an unprecedented slate of current and upcoming small screen projects which will feature original character and makeup FX, as well as digital FX, from the award-winning studio. Featured shows include iZombie, Grey's Anatomy, The Flash and Arrow.
(Los Angeles, California--October 12, 2015) Todd Masters, Founder and President of MASTERSFX has announced an unprecedented slate of current and upcoming small screen projects which will feature original character and makeup FX, as well as digital FX, from the award-winning studio.
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Moving content files safely, reliably and securely has always been mission critical to the media industry. And while the transition to digital format has in some ways made moving and sharing content easier, there are still many challenges. File sizes are growing, teams are more dispersed around the globe, and legacy solutions like FTP are unreliable and increasingly problematic. 

In this CreativeCow Educational webinar you will learn how the transition from FTP systems to next generation SaaS solutions are not only overcoming these challenges but taking businesses to a new level of productivity and professionalism. 

Attendees will learn: 

• Why sending large files over distance is so difficult with legacy Internet protocols 
• The risks and hidden costs of FTP 
• Why today’s B2B solutions are true SaaS, not “cloud washed" 
• How SaaS solutions like Media Shuttle are scalable and cost effective to any size business 
• The easy to use, brandable and secure web portals of Media Shuttle 

Panelist: Rick Clarkson, VP, Signiant 
Hosted by Tim Matteson, CreativeCOW

https://attendee.gotowebinar.com/register/7649877803616696066
Moving content files safely, reliably and securely has always been mission critical to the media industry. And while the transition to digital format has in some ways made moving and sharing content easier, there are still many challenges. File sizes are growing, teams are more dispersed around ...
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Hello! I've heard you are really good with audio and I was wondering if you could please help me out with my school project. I have recorded a video of an organization but there's wind noise. Could you please help me out removing the wind noise?
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Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Take a look at what we found out about his post production process.
Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.
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VFX Supervisor Sue Rowe led the team from Method in creating over 500 shots as the exclusive house on The Maze Runner, an action thriller based on the post-apocalyptic dystopia YA series. Creating the ever-shifting maze itself, as well as foul organic-mechanical hybrid monsters known as Grievers, Sue and her team expanded their expertise beyond atmospheres to include Oscar-winning character animators, taking some imaginative turns through the maze of creating a realistic world.
VFX Supervisor Sue Rowe led the team from Method in creating over 500 shots as the exclusive house on The Maze Runner, an action thriller based on the post-apocalyptic dystopia YA series. Creating the ever-shifting maze itself, as well as foul organic-mechanical hybrid monsters known as Grievers, Sue and her team expanded their expertise beyond atmospheres to include Oscar-winning character animators, taking some imaginative turns through the maz...
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Creative COW

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On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic. 
On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic.
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Medical and Surgical video is an important part of our industry, whether it be for great shows like Bones and Grey's Anatomy, or for real-world applications and technical advancement. This article is a lesson in getting clean shots of medical procedures and how to "step into the surgeon's eye" for the personal point of view.
Take advantage of years worth of Greg Ondera's surgical cinematography experience for cleaner, tighter shots and a better outcome.
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The I-MOVIX X10 UHD RF ultra high def moves to Europe!
(Mons, Belgium--July 27, 2015) French facilities and production company AMP Visual TV has become the first European customer for the I-MOVIX X10 UHD RF ultra motion system.
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Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.
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Editor Zack Arnold (Burn Notice, Black Box, Glee) is the host of the popular Fitness in Post podcast, and recently spoke with Kylee Wall and Siân Fever about work environments for women in post-production. This episode was inspired by a recent article by Kylee Wall on Creative Cow titled Sexism In Post. They talk about why Kylee wrote the article in the first place, lots of different studies about the gender gap in post-production, wage differences for the same jobs, and we even go as far to discuss sexual harassment and other crucial, if sometimes not-so-pleasant topics. You're going to find a lot to think about, and yes, lots to enjoy! We can't wait to hear part 2!
In this episode I speak with Kylee Wall and Siân Fever about work environments for women in post-production. This episode was inspired by a recent article by Kylee Wall on Creative Cow titled Sexism In Post. We talk about why Kylee wrote the article in the first place, lots of different studies about the gender gap in post-production, wage differences for the same jobs, and we even go as far to discuss sexual harassment and other not-so-pleasant ...
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Tom joins New York's award winning 3D team from The Mill in London where he was head of 3D.

He has led some of The Mill’s most iconic projects and has been recognized by some of the industry’s top accolades including a VES award for Guinness “Cloud”, a British Arrow for Audi’s "Hummingbird” and a CLIO and LIA for Volkswagen's "Black Beetle”.

He frequently works with some of the world’s best commercial directors including Sam Brown, Alejandro González Iñárritu, Tom Hooper and Peter Thwaites. Most recently he led the 3D team on Nike’s FIFA World Cup 2014 spot "Winner Stays“ directed by Ringan Ledwidge. 

Congratulations to Tom and enjoy beautiful New York!
The Mill in New York is Delighted to Welcome Tom Bussell to its Creative Team.
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Have them in circles
773 people
Scott Rivera's profile photo
Jeff H.'s profile photo
Luke Liberty's profile photo
Wendy Sarrett's profile photo
Camera Crew Germany's profile photo
Chad Thompson's profile photo
Contour Media's profile photo
Keith Simiyu's profile photo
Charles Mackenzie-Hill's profile photo
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Creative COW is the leading peer to peer support community for people in the film and broadcast industry.