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Daubigny chose large, non-standard formats for his canvases, which could not be bought ready-made. The ‘double-square’ canvas – with a width twice its height – was especially suited to his sweeping panoramas.
Towards the end of his life, Vincent used precisely the same canvas format for Wheatfield under Thunderclouds (1890). #Daubigny
http://bit.ly/Daubigny-Monet-VanGogh
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Bleu il n' y à rien qui puisse mieux éclairer la présence du maître 👍👍🔆🔆🔆
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The beautiful scenery and so calming scene from nature. Beautiful shapes, clouds and white wild flowers, probably chamomile and red poppies on the meadow.
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