Thank you so much, +TheImmovableMovers ! I had a hell of a lot of fun making this one. Shot a bit in Hell's Kitchen, took a train down to Brooklyn Bridge and walked from City Hall up to the East Village. Got braver about being a goofy loudmouth as I went. Even heard a couple people laugh at my lines.
I love the casual cross-talk effect. So many asides and riffs, yet the sketch still feels tight—even has a narrative arc. How much of this is improvised, and how much does the editing process affect the pacing?