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Sean Bagshaw
Works at Outdoor Exposure Photography, LLC as a freelance landscape, nature and travel photographer. Based in Ashland, Oregon, my photos can be found published in magazines, calendars, web design, advertising, branding, art collections and competitions. Member of Photo Cascadia (www.PhotoCascadia.com).
Attended Southern Oregon University
Lives in Ashland, OR
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Professional Photographer: Landscape. Nature. Travel. Discovery. Vision. Art.
Skills
Finding great stuff to point my camera at.
Employment
  • Outdoor Exposure Photography, LLC as a freelance landscape, nature and travel photographer. Based in Ashland, Oregon, my photos can be found published in magazines, calendars, web design, advertising, branding, art collections and competitions. Member of Photo Cascadia (www.PhotoCascadia.com).
    Professional landscape, nature and travel photographer, present
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Ashland, OR
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Professional Photographer: Landscape. Nature. Travel. Discovery. Vision. Art.
Introduction
My job and passion is to explore the world and attempt to translate what I see and feel into visual stories through my camera.  I have been photographing since the early 1990s and making my living from my images since 2004. My main website is www.OutdoorExposurePhoto.com. I'm a proud member of the Photo Cascadia group (www.PhotoCascadia.com).
Bragging rights
Twice since 2008 my images have been winners in the Nature's Best Windland Smith Rice International Awards and have also been honored in the International Conservation Photography Awards and other competitions. Commercial clients and publications include Sierra Club, Via, Travel Oregon, HTC, Montana Tourism, ODS, Outdoor Photographer, Digital Photographer, and Mercedes. I am a founding member and one sixth of the Pacific Northwest based photography team known as Photo Cascadia.
Education
  • Southern Oregon University
    Biology/Chemistry
  • Willamette University
    Masters of Arts In Teaching
Basic Information
Gender
Male
Birthday
March 22

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Sean Bagshaw

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Tips for using the PhotoPills​ app when shooting the Supermoon this weekend.

A couple supermoon facts from NASA. Supermoon is the term for when the moon comes closest to earth in its orbit while in the full moon phase. A supermoon appears 7% larger and 30% brighter than a full moon that is at it's furthest from the earth (called a micromoon). This means that a supermoon appears about 3.5% larger and 15% brighter than an average full moon. Not a lot, but still cool.

http://www.photopills.com/blog/all-you-need-make-saturdays-supermoon-shine-your-photos
You’re about to learn how to shoot pictures of the Supermoon that will give people goosebumps. Are you ready?
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Great info +Sean Bagshaw! 
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Sean Bagshaw

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Give this week's installment of +This Week in Photo (TWiP) a listen. I am a guest on the show and had a fun chat about a variety of photography topics with host +Frederick Van Johnson and the esteemed Mr. +Joseph Linaschke.

If you aren't already a TWiP listener I invite you to check it out. It may be the original photography podcast. They now have nine different shows covering a variety of photography generes/interests. Check 'em out here: http://thisweekinphoto.com/
This week, is Sony gearing up to take on Canon & Nikon by focusing on their full-frame mirrorless cameras? Plus Canon announces a camera that can see in the dark.
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Sean Bagshaw

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What is Photographic Cross-training? In +David Cobb's latest article he talks about how he stays "fit" for all types of photography. Read it here: http://www.photocascadia.com/blog/photographic-cross-training-by-david-cobb
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So beautiful
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"Dust and Fire"
I have been having the best time going though photos from a recent trip to the Palouse with good friend, +David Cobb, and 15 other talented photographers. Every time I go to the Palouse I see new things. This is dust and chaff from harvest equipment left hanging in the air. At sunset, the back lit dust burns with a bright red glow for a few moments before the land fades into darkness.

Looking right into the sun the dynamic range of this scene was high and the developing was a challenge. I blended four exposures to contain the contrast using various luminosity masking techniques. Canon 5D III. 226mm focal length (70-200mm lens + 2x extender). Settings were f/20 (for enough depth at the long focal length) and ISO 400 (to combat wind shake with the long lens). Shutter speeds for the four exposures varied between 1/8 and 1/160 seconds.
Tutorials and TKActions: http://www.outdoorexposurephoto.com/video-tutorials/video-tutorials/
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Beutiful landscape and colors 
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"Palouse Harvest"
Just back from a workshop in the Palouse with +David Cobb. Speaking of David, he announced his 2016 workshops yesterday and I understand they are already filling up. If you are hoping to do a workshop with him in 2016, best register soon at http://dmcobbphoto.com/workshops. If next year is anything like this year he could completely fill up before the end of the week.

I'll be co-leading two workshops with David in 2016: Bandon and Bend. Bandon only has 4 spots remaining. Bend is through the Cascade Center of Photography and can be found on their website here: http://www.ccophoto.com/capture-the-light/
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Great shot!!!
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New article from +Zack Schnepf discussing how he focuses his attention on seeing compositions by simplifying and reducing distractions that are part of operating a camera.

http://www.photocascadia.com/blog/in-the-field-composition-workflow-part-1-simplification
The Photo Cascadia Team explores areas of natural beauty and advances the photographic excellence of outdoor photography, while promoting and sharing images, knowledge, and expertise with photo enthusiasts.
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"Rovinj" - Taken the Adriatic coast of Croatia with a Sony NEX-7.
Are you a compact camera enthusiast? In this podcast with Pocket Lenses we talk about using small, high quality cameras, including one that will fit in my bike jersey pocket when riding 110 miles per day down the Oregon coast next week: http://www.pocketlenses.com/023/
I had a great time traveling with the NEX-7 in Croatia last summer. Light weight and great image quality and resolution=sweet! More and more great compact cameras coming out all the time.
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Personally, I'm stuck thinking about 110 miles per day -- ouch!
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Sean Bagshaw

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PSA - Photography website scam alert from www.artistsinfo.co.uk. Apparently a Russian based website called "Wallpart" is deliberately trying to get you to fill out their "Report Violation" form as part of an elaborate phishing scheme. I checked out the Wallpart site and everything matches what the alert says.
Here is an excerpt from the ArtistInfo alert: "[Wallpart's] "Report Violation" link is actually a 100% phishing form. If you fill it out, no matter what you put there, you will be sending them a LOT more than you anticipated. This is actually the main purpose for the site's existence -- they completely anticipate artists being upset about their work supposedly being sold, so they developed a system to exploit those who complain."
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Thanks for sharing.
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Alpenglow on Banner Peak
From a recent Sierra backpacking trip with three dads and six kids ages 12 to 15. I took this photo with my iPhone and the soon to release DxO One. Still learning with it. I made a 12x18 print just as a test and the detail and clarity is impressive. It will be interesting to compare with similar photos from my 5DIII.

#dxoone  
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Believe it or not I took this photo with my iPhone...with the help of the DxO One, a small 20 MP camera that plugs into the iPhone dock port. +DxO sent me a One to test out, but it will be available publicly in September. This is a single exposure using the One's high dynamic range SuperRaw mode, which is particularly intriguing to me. I recovered highlights and shadows using DxO's OpticsPro software and then output as a DNG to Lightroom where I did some additional raw developing. I'm still learning and I'll share more photos and impressions in the months ahead.
DxO One website: http://www.dxo.com/us/dxo-one
‪#‎dxoone‬ #dxomade
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Thanks for posting. Any flare issues? Can it render a good sunstar?
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"Reminisce"
We found this timeless setting during the Palouse workshop, arriving at the the perfect moment. Land, barn, fence, sky and light existing in a delicate and fleeting balance that is difficult to find and wonderful to behold.
Settings: 1/4 second at f/20, ISO 100, 67 mm focal length. Polarizer.
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Excellent!
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"Ansel's Presence" - Near full moon in the Ansel Adams Wilderness.
Just back from a re-energizing three weeks, mostly vacation with a little photography on the side. Here are some highlights. Biked the Oregon Coast in three days (120 miles per day:-O) with a buddy and took along the 20mp Lumix CM1 micro camera/phone in my jersey pocket to see how it performed. Spent a week at Lake Tahoe with my wonderful family and did some epic mountain biking with my boys. Finished up with a week of backpacking in the Ansel Adams Wilderness with two other dads and six of our kids. I packed in the soon to be released DxO One 20mp iPhone camera to give it a try. I'll be sharing photos from both the CM1 and the DxO One soon.
On the Backpacking trip I wasn't willing to forego the SLR, so this moonlight image of Shadow Creek was taken with my Canon 5D MKIII, 16-35mm f/2.8 L MKII lens and my Gitzo mountaineer tripod. Settings were 35mm, 30 seconds, f/9, ISO 640. I took a second exposure for the sky at 13 seconds to minimize star trailing. 30 seconds at 35mm produces very visible star trails instead of pinpoints.
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+John Gilbert - Thanks! Both exposures for this image were at f/9.
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