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Rebekah Ellerby
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Remote in the west country, an officious daughter helps her mother set her life in order. But a lost boy in the woods rekindles untouched memories. Totally gorgeous set.
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On why stage management can make or break a campaign, press managers, sleep and multitasking your way through this mad theatre life.
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Namaste. Trust me. Nothing ever changes. No cambia nada. Nunca. I try to change the way the system works. The blog system. Because that’s what Falk Richter’s Trust is about: systems failure. The systematic failure of capitalism. And it’s starts, lecture…
Review: Trust, Gate Theatre
Review: Trust, Gate Theatre
rebekahsreviews.com
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How To Win Against History @youngvic is "remarkably ridiculous and spectacularly camp" #beyourself

How do you win against history when you’re a cross-dressing Marquess with a family inheritance to squander and a love for all things DRAMA? Well, the play doesn’t actually answer this question. At all. Instead, it makes a play about it to retrieve a story…
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I went to This Beautiful Future knowing it would be incredible. I just didn't quite know why. So here it is...
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The most problematic stuff about this little play was the white saviour narrative. Literally the whole story was just this reallllllllly minted guy trying to "fundamentally change the culture" of the USA by hosting little chit chats at the locations of…
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I sort of just had to write about Yerma. It's a very 11pm sprawl. Sorry.

Well everyone already said it. But here I am. Here to say it all again. Billie Piper is OUTSTANDING. Like. Beyond words incredible.
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Road is a play loaded with despair and ecstasy. Brimming with disco and ballet and country and soul, it transcends its opening character profiles and monologues to become a slaying inditement of the pressures of life under conservatism and a celebration…
Review: Road, Royal Court
Review: Road, Royal Court
rebekahsreviews.com
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I'm not really sure how Late Company got such nice reviews elsewhere, if I'm honest with you.

Canadian playwright Jordan Tannahill puts together two things in Late Company that should never mix: dinner parties and grief.
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Are you happy? Are you happy? Are you happy? Anatomy of a Suicide // Review

Are you happy? This play asks. Once from the precocious voice of a young girl at her birthday party. But it’s implicit continually. Are you happy? Are you happy? Are you happy?
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