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Paul Prudence
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Paul Prudence

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Plate from Tabulated Data for the Examination of the 230 Space-Groups by Homogeneous X-Rays – William T. Astbury & Kathleen Yardley [1924]. William T. Astbury and Kathleen Yardley's 230 Space-group diagrams, published in 1924, form a complete notation of all possible atomic lattice ...
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Psychogeographical maxims noted from Edge of the Orison - Iain Sinclair:

- Walking is a way of remembering, driving wipes the slate clean.
- Revamped pub signs are the tarot pack of country topography.
- Place expresses itself through the person you choose as a guide.
- Memory is a darkroom for the development of fiction.
- A walk is a floating autobiography.
- Decay is heritage too, we must learn to appreciated it.
- Little sleep, early wanderings, prospecting for language that is no longer to be found.

....England is a park from which poets have been banished, leaving behind some really nasty weather.
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Kandariya Mahadev Temple (source unknown). The self-similar, cascading architectural forms found in Hindu temple architecture appear to have been pieced together by a hyper-industrious Minecrafter hooked on Hofstadter. Jagged waves of blocky ornamentation, rhythmically repeating, ...
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Selected tweets from my Twitter stream @MrPrudence [Summer 2014] with occasional addition annotations: Going Into Detail - Peter Richardson Going Into Detail – Peter Richardson. Going Into Detail – Peter Richardson on metaphorical and geological boundaries illustrated with height-map globes.
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William George Armstrong Electrical Discharge Experiments [1899]. The colour prints created by The Autotype Company to accompany William George Armstrong's lectures and papers in the late 1800′s are probably some of the earliest electrical discharge visualisations created and widely disseminated ...
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Plate from 'Diffraction in the Fundamental Laws of Wave Theory Developed Analytically and Presented in Pictures' - Friedrich Magnus Schwerd [1835]

Illustration of the optical phenomena of spectral distribution and intensity in Frauhofer patterns produced by white light shone through a variety of apertures, including circles
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Views of the Tessaract from 'The Fourth Dimension' – Charles Howard Hinton [1906]. At some point last month this blog moved beyond 10 years of existence (a good or bad thing? probably a bit of both). Dataisnature originally set out to examine generative artworks that borrowed algorithms ...
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'Nasreen Mohamedi [1937—1990] was an Indian artist best known for her line-based drawings, and today considered one of the most essential modern artists...
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Plate from Anatomie der Echinothuriden – Walter Schurig [1906]. The Biodiversity Heritage Library is a consortium of natural history and botanical libraries that cooperate to digitize the legacy literature of biodiversity held in their collections and to make that literature available for open ...
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The Mechanics of the Light Prop – László Moholy-Nagy & Stefan Sebök [1930]. László Moholy-Nagy's Light Prop for an Electric Stage, a kinetic light sculpture device capable of real-time expanded cinema projection, is well known and widely documented online. Lesser known are a series of associated ...
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Agate – Pascal Petit. The linear patterns in agates are a kind of Earth process data visualization, their intricate coloured bands, much like the tree rings in dendrochronology, are encoded recordings of palaeoclimatic environments, oscillating temperature and pressure events as well chaotic ...
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Visual delirium in Zaha Hadid's stunning Maxxi Gallery, Rome
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In his circles
263 people
Have him in circles
388 people
Thomas Dreher's profile photo
Camden McDonald's profile photo
Tom Martin's profile photo
Rohit Gupta (फेडसिंह)'s profile photo
David LeP0le's profile photo
Greg J. Smith's profile photo
Marius Watz's profile photo
Paul Mumford's profile photo
Epoch Modular's profile photo
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Computational Artist
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  • Computational Artist, present
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Introduction

Paul Prudence is a audio-visual performer working with computational and algorithmic environments. His work focuses on the ways in which sound, space and form can be cross wired to create generative visual-music experiences. Paul also maintains the research weblog Dataisnature in which he writes about the interrelationships between natural processes, computational systems and procedural-based art practices.

His photographic stream can be found here, his Twitter updates here and personal blog here.




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