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Tomorrow at The Geffen, UCLA Art History department chair Miwon Kwon gives a walkthrough of #DontLookBack

moca.org/program/miwon-kwon
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“Every Thursday I get to be in a room with 17 other teenagers who are just as passionate about art as I am.”

Education is a huge part of what we do at MOCA. A few months ago we published a report in collaboration with The Whitney, Walker Art Center, and CMA Houston on the long-term effects of teen programs in art museums.

moca.org/news/leading-contemporary-art-museums-release-room-to-rise

Donate to MOCA’s annual fund to support educational programs like MOCA Teens!

http://www.moca.org/support/MOCATeenEducation
Education is a huge part of what we do at MOCA. When young people are immersed in a learning environment that blends contemporary art, meaningful collaborative work with peers, and supportive interaction with artists and museum staff, they're inspired to see the world differently.
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Miranda July talk this Sunday in West Hollywood! 3pm. FREE.
Miranda July is a filmmaker, artist, and writer. Her participatory artworks take myriad forms, including websites, sculpture gardens, performances, and messaging apps. For We Think Alone, 2013, July convinced 10 high-profile figures, including Catherine Opie, to share personal emails on the subject…
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Lauren Mackler’s Public Fiction takes over storefront: at MOCA Grand Avenue beginning March 19. Over the next three months, Mackler will organize a series of performances, lectures, and artist-driven interventions, all of which will become the content for a publication. S

tay tuned for more information, and read Artforum’s feature on Public Fiction:

artforum.com/inprint/issue=201602&id=57460
THIS STORY BEGINS somewhere other than the beginning. It’s a hot summer night in Los Angeles, and the artist D’Ette Nogle is onstage accompanied by two big,
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Aram Moshayedi and Hamza Walker discuss their collaborative work curating Made in L.A. 2016, the third iteration of the Hammer Museum’s biennial focused on the work of Los Angeles–area artists. Questioning the meaning of regional identity in such a diverse and international city, Made in L.A. 2…
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Catherine Opie: Portraits is now on view at the Hammer Museum. Check out their accompanying video:

vimeo.com/152613585

MOCA’s concurrent Catherine Opie exhibition, Catherine Opie: 700 Nimes Road, is on view at MOCA at the Pacific Design Center through May 8, 2016.

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From East of Borneo: Mike Kelley’s “cross-gender/cross-genre” on pop, performance, and gender.

“David Bowie is the great example here. He adopts and throws away personas as the seasons change, always reinventing himself for the market. In this sense, he is a mirror of our culture of planned obsolescence.”

RIP David Bowie.

eastofborneo.org/arc…/cross-gendercross-genre-by-mike-kelley
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Introducing: Lauren Mackler and Ann Lauterbach!
moca.org/stream/post/introducing-ann-lauterbach-and-lauren-mackler
A conversation between poet Ann Lauterbach and curator Lauren Mackler of Public Fiction. The dialogue took place by phone from Lauterbach’s home in Germantown, New York, and Mackler’s home in Los Angeles​, California. This is the first time the two have spoken.
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Don't Look Back: The 1990s at MOCA opens this weekend at The Geffen Contemporary at MOCA! MOCA members are invited to a special members' preview tomorrow, Friday, March 11. 

moca.org/exhibition/dont-look-back-the-1990s-at-moca
Don’t Look Back: The 1990s at MOCA comprises works from MOCA’s permanent collection that identify the recent decade’s key concerns and transformations, including many that have not been on view since originally shown and acquired. If the 1980s were shaped by the advent of identity politics, p…
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Leap Before you Look: Black Mountain College 1933-1957, curated by MOCA chief curator Helen Molesworth, is now open at the Hammer Museum.

latimes.com/entertainment/arts/la-et-cm-black-mountain-hammer-review-20160222-column.html
For a generation of young artists flanking World War II, Black Mountain College in rural North Carolina was the California Institute of the Arts of America's avant-garde culture.
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“Isn’t it always?” Oscar Tuazon and Sylvia Lavin talk lowercase vs. uppercase Sculpture in the newest installment of MOCA’s Introducing series.

Introducing is a series of conversations between two artists, writers or thinkers who have never met before.

bit.ly/20tRMSk
​A conversation between critic, historian, and curator Sylvia Lavin and artist Oscar Tuazon. The dialogue took place in person at Tuazon’s studio in Los Angeles. This is the first time Lavin and Tuazon have spoken.
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Catherine Opie: 700 Nimes Road officially opens at MOCA at the Pacific Design Center tomorrow, January 23. Tonight is our special members’ opening!

And check out the great LA Times’ story on Opie: latimes.com/entertainment/arts/la-ca-cm-cathy-opie-moca-hammer-20160124-story.html
Catherine Opie is thinking about slowing down these days. Not creatively, by any stretch — the fine-art photographer will have one of the most visible moments of her career this week when two solo exhibitions open just eight days apart at the Museum of Contemporary Art and the Hammer Museum.
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Have them in circles
2,806,340 people
Mackenzie Moats's profile photo
Mary Horgan-Scheible's profile photo
Tim Meeks's profile photo
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The Museum of Contemporary Art, Los Angeles
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MOCA's mission is to be the defining museum of contemporary art. http://www.moca.org/


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