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Johan van de Beek (DjoeGio)
Works at Music
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Short but sweet ballad feat. Farisha from FarishaMusic.
DjoeGio
Exception (feat. Farisha) by DjoeGio
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Rene Vlems maakte een mooie floating clip bij de onderwaterscape U Dreamz. Kijk hier!
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Fin de la Saison. Foto's van Puglia op de tonen van 'Time'
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Slow intro with small samples of Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate" (Summer, from The Four Seasons/Le quattro stagioni, by Antonio Vivaldi) morphs into (part) of Feeling Good by Nina Simone whose wonderful voice is the bridge to the Ibiza-style house track.
DjoeGio
Summer (Nina Simone L'Estate mix) by DjoeGio
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This remix by DjoeGio was made “Music for Healing”, a collaboration between ccMixter.org and the University of Utah Schools of Medicine, Music, Business, and Marriott Library – to facilitate the creation of a new collection of music that focuses on healing while also supporting patients and their families. Specific focus will include, but not be limited to, Alzheimer’s, Dementia, Autism, and Epilepsy. More info here: http://www.lib.utah.edu/music4healing/about
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New Track. The Dream.
DjoeGio
The Dream
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Have him in circles
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Recorded on february 20th 2016 in one setting in remembrance of Denise Matthews a.k.a. Vanity (1959-2016). Thanks to Michiel555 from Looperman for his wonderful 'When it all ends'.
DjoeGio
Denise by DjoeGio
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Mustapha Négraoui's profile photoJohan van de Beek (DjoeGio)'s profile photo
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Dank Mustapha!!
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Mijn nieuwe track. U-Dreamz. 
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U-Dreamz by DjoeGio
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The a capella 'No more, my Lawd' was recorded by John Avery Lomax inside Mississippi State Penitentiary at Parchman in 1946/47. Parchman was an infamous prison plantation. Convicts were forced to work, and the labor conditions inside the prison were largely indistinguishable from slavery. In order to pace their work, the inmates would sing. Lomax: "I had to face that here were the people that everyone else regarded as the dregs of society, dangerous human beings, brutalized and from them came the music which I thought was the finest thing I’d ever hear coming out of my country." 'No More, My Lawd' was recorded while the artist (Jimpson) was chopping wood. I cut out the sound of the axe to beatmatch the song to the piano-motive. From there on, this track wrote itself.
DjoeGio
No More My Lawd (remix) by DjoeGio
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Nieuwe track, speciaal gemaakt voor het 'Music for Healing'-project van de universiteit van Utah. Programma gericht op de (mogelijke) rol van muziek bij het behandelen/verzachten van o.a. Alzheimer, niet alleen bij slachtoffers maar ook bij familie. Met - heel onbeschaamd - samples uit Lacrimosa (Requiem) van Wolfgang Amadeus Mozart.
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DjoeGio
As it all just fades
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'The Dream' is editorial pick on ccMixter. ''DjoeGio’s dreamy ambient piece featuring SackJo22’s cool spoken word meditation morphs into a chill house mix. Completely engaging audio experience''. (Kara Square)
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People
Have him in circles
48 people
Peter Bruijns's profile photo
Rik Voogt's profile photo
theo ploeg's profile photo
Robert Hoogenboom's profile photo
Leon van Lier's profile photo
Ninja Gast's profile photo
she thinksincolors's profile photo
Wim Gloudemans's profile photo
CC Mixter's profile photo
Work
Occupation
I write & I make music
Skills
I love to collaborate with other musicians around the globe, using the web to exchange tracks and solo's. I have worked with Italian saxplayer Sandro Marinoni, Dutch saxplayer STAX (a.k.a. Hans Clevers) and Dutch singer Phil Bee
Employment
  • Music
    Composer/dj, present
    DjoeGio, internetmusician and dj from The Netherlands. NuJazz, chill, dance, house. From the Editorial Pick Review of 'When I Dream of You' by ccMixter: This song could easily seduce the most sedate to sway. Maximum cool chill deliciousness brought to you by DjoeGio with the KCentric at his most romantic.
Story
Tagline
DjoeGio (a.k.a. Johan van de Beek)
Introduction

DjoeGio, internetmusician and dj from The Netherlands. NuJazz, chill, dance, house.

From the Editorial Pick Review of 'When I Dream of You' by ccMixter:

This song could easily seduce the most sedate to sway.

Maximum cool chill deliciousness brought to you by DjoeGio with the KCentric at his most romantic.

Bragging rights
This account is for my music and for my music only. I make electronic music. I use MixCraft 6 as my Digital Audio Workstation (DAW). My favorite VST-plugins are the Absynth 5 and Wollo Voyager sythesizers. For lucid dreaming I use PsyBox. For polish I use FabFilter Pro and Thrillseeker. My favorite piano is the excellent Pianissimo by Acoustica. For jazz trumpet I use Miles Tone. I use loops, pella's and one-shots from LooperMan and ccMixter. My favorite loopmakers for house and dance are the incredible people from FutureLoops. I play Gibson Les Paul electric guitar wired into the CPU using GearBox by Line6 for effects or the Boss ME-25 I also use for live-concerts with Bastardi di Blues (I love the wah-pedal). I think Brian Eno is one of the most erudite, intelligent, fascinating (and quietly, delightfully batshit crazy) people in the music industry for the best part of 45 years. I love this: 'I’m an anti-musician. I don’t think the craft of music is relevant to the art of music'. And this: 'I wanted to make something you could slip in and out of. You could pay attention or you could choose not to be distracted by it if you wanted to do something while it was on. I can’t read with a pop record playing, or with most classical records. They’re not intended to leave that part of the mind free – my mind, anyway'. I agree with Eno when he says: 'I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I’ve never been interested in that'. That's why, I guess, I don't have a 'stage personality', I'm too busy with my guitar and the sounds it makes. I think Eno's 'An Ending (Ascent)' is the most beautiful single ambient-recording ever. I think Moby's 'Hotel' is an essential album ('Snowball' is breathtaking). I'm not ashamed to admit that I'm still very fond of Enigma's first album. I believe that without '1983 (A Merman I Should Turn To Be) by Jimi Hendrix I would not be writing these lines, nor would I be making soundscapes. Finally but most importantly: I love collaborating with other musicians on my projects. I have worked with singer Phil Bee (formerly King Mo), Hans Clevers a.ka. STAX (saxophone) and Sandro Marinoni (saxophone - jazz Frames Italy). I plan to do more with them and with others. I'll close with this one, also from Eno: 'Music will always be a part of my life. I love music and I don’t care how many units I sell'.
Basic Information
Gender
Male