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Jack Muliadi
Works at Giant and Friends
Attended Kingston University
Lives in UK
88 followers|34,638 views
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Jack Muliadi

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Recognition <> money!
 
Recognition ≠ money.

Illustration by qinni.deviantART.com | http://bit.ly/1ffXtue  
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The Evolution of Bicycles by PopChartLab
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The Illusion of Choice
#infographic  
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It's #Friday! Few more hours before weekend! Yay.
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Jalan Perumahan Green Garden Blok M-3 No.36C, Kebonjeruk, Kota Jakarta Barat, DKI Jakarta 11520
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5 Things To Consider ( #5TTC ) #11 - Creating Convincing Photo Composites by +Mark Johnson

If you enjoy having complete control over light, color, composition, and atmosphere, photo compositing is the answer.  Blending photos engages the imagination and makes it possible to tell a complete story with a single image.  

Furthermore, for those on tight budgets, compositing eliminates the expense of taking a model and crew on location.  If you’re open to using stock photos, it’s possible to place the model in virtually any setting without stepping foot on a plane.  Since creating a convincing composite can be challenging, here are five tips to improve your odds for success. 

1. Don’t include the feet
When feet come into contact with the ground, it’s harder to achieve a believable composite.  Therefore, unless you’re up to the challenge, create composites where the feet are cropped out.  If you must include them, use a black-to-transparent gradient to darken the feet and make them less noticeable.  

Additionally, be sure to capture the model and background from a similar distance and height using a fairly consistent focal length.  As an added measure of realism, add a small dark shadow just below the feet where they make contact with the ground.

2. Light the subject properly
How the subject is lit is crucial to the success of the composite.  A three-light set-up, with two directional edge lights and one front fill light, provides a pair of distinct advantages.  First, the edge lights separate the subject from the background making extraction much easier. Second, light striking the model from three sides makes it possible to believably drop the subject into almost any background.

When shooting, position the model and lights in front of a white seamless backdrop and move them far enough away so that the backdrop becomes light gray due to light falloff.  Light gray is the ideal color for extraction.

3. Make great selections
Nothing screams “photo composite” more loudly than a poorly extracted subject.  To sell the composite, selection edges must look realistic.  Fortunately, Photoshop CS5 and later make it easy to produce perfect selections.  Using a combination of the Quick Selection tool and the Refine Mask feature, it’s now possible to select even difficult subjects such as hair. 

4. Balance the color, contrast, and saturation
In order to make a subject appear as though it belongs in front of a background that was photographed in an entirely different location under potentially different lighting conditions, it’s important to balance the color, contrast, and saturation.  

The best way to accomplish this is by using Photoshop’s Color Balance, Curves,and Hue/Saturation adjustment layers.  To limit their effect to only the subject,use a clipping mask.  When the composite is nearing completion, filters suchas Color Efex Pro’s Bi-Color, Bleach Bypass, Film Efex, and Tonal Contrast are awesome for unifying the overall scene by creating consistent color, contrast,and special effects.  

5. Wrap light around the subject
In the real world (especially in backlit scenes), light bends subtly around a subject’s edges.  In a composite, wrapped light adds drama and ties the subject and background neatly together.  Although there are several methods for wrapping light, the simplest (and often most effective) is to add a layer above the subject and paint with a large, soft-edged white brush in the spot where backlight meets the edge of the subject.  To tone down the light’s intensity, simply reduce the layer’s opacity.    

If you’re yearning to learn more about compositing, visit Mark's website for tons of tutorials and educational resources: http://www.msjphotography.com/index.php/learn/
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Download Timely, use JJTN-D49H-RPUV and get a theme for free! http://r.bitsp.in/JJTND49HRPUV
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Game of Thrones in the 80s

What if the characters from the Game of Thrones TV show existed in the 80s? Here's how Mike Wrobel imagines them as living in the 80s.

You can order these as cards or t-shirts at: http://society6.com/artist/Moshikun


#gameofthrones   #asongoficeandfire   #georgerrmartin   #shutupandtakemymoney  
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People
Have him in circles
88 people
Yves Ouellette's profile photo
Yubi Chea's profile photo
Juliana Wu's profile photo
Hello Tribus's profile photo
Andre David Setiawan's profile photo
Education
  • Kingston University
    User Experience Design, 2011 - 2013
  • Staffordshire University
    Computing in Internet Technology, 2002 - 2006
Basic Information
Gender
Male
Work
Occupation
Photographer at Giant & Friends
Skills
Photographer
Employment
  • Giant and Friends
    Photographer, 2013 - present
  • Synergy At Work
    IT Consultants, 2007 - 2011
Places
Map of the places this user has livedMap of the places this user has livedMap of the places this user has lived
Currently
UK
Previously
Jakarta
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