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hopskotchrecords.
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Just upped to our channel: Snareophobe Feat. Eva Lazarus - Power Up [Aries & Gold Dubs Remix] #jungle #dnb #bass
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Just upped to our channel - Snareophobe - Thanks For Nothing [Unsub Remix] #dnb #jungle #drumnbass #bassmusic
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Just upped to our channel: Snareophobe Feat. Dub FX - Time & Space [Operon Rmx] #jungle #dnb #drumnbass #edm
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Just upped to our channel - ShYne - PMC #glitch #idm #abstract #experimental
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Just upped to our channel - Pond - Rocks #IDM #glitch #braindance #experimental
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Just upped to our channel: ShYne - Hoof #IDM #glitch #experimental #abstractbeats #electronica #braindance
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Just upped to our channel: Patton - PushCAST #skullstep #hardstep #drumnbass #dnb #drumandbass #breakcore
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hopskotchrecords.

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Just upped to our channel: Snareophobe Feat. Eva Lazarus - Power Up [Titus 12 Remix] #jungle #dnb #bassmusic
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Addictech: http://www.addictech.com/p/191448 
Beatport: https://pro.beatport.com/release/remixes/1600087
Juno Download: http://www.junodownload.com/products/snareophobe-remixes/2878929-02/

Snareophobe music takes influence from global Jungle, Hiphop, Garage, Breakbeat, Dubstep and Drum & Bass music mixing up heavyweight basslines, scratching, samples, loops & FX. Hosting & mc’ing on his own sets, Snareophobe has often been joined on stage by Dub Fx, Eva Lazarus & Fernquest. Layers of twisted electronic music and vocal effects come as standard!

This new remix EP featuring Brisbane's DNB stalwart Operon, New Zealand's most prolific bass weapon Unsub, Bristol based dubwise producer Titus12 & UK jungle legends Aries & Gold Dubs.

100% of all paid proceeds will go to Nordoff-Robbins Music Therapy - at the request of the artist. Check them out here:

Nordoff-Robbins Music Therapy Australia Ltd was founded in 1984 to promote and develop the understanding, training and practice of creative music therapy. Enid Rowe, a Sydney based music teacher, trained in music therapy in London and brought Nordoff-Robbins to Australia in 1978. 

Nordoff-Robbins Music Therapy Australia is a registered charity  that receives no government assistance for its core operations. We rely on the generosity of our supporters to bring the benefits of music therapy to the lives of those in need.

You can help us build on our success to date by getting involved and investing in our future, so we can continue our work in enhancing the quality of people’s lives.

http://www.nordoff-robbins.com.au/

Artwork: Cyberelg
http://www.cyberelg.net/

Mastering: Shem Mastering 
http://soundcloud.com/shem-mastering-services/


Follow Snareophobe:
http://soundcloud.com/snareophobe

Follow Operon:
http://soundcloud.com/operon

Follow Titus12:
http://soundcloud.com/titustwelve

Follow Unsub:
http://soundcloud.com/alexisk

Follow Gold Dubs:
http://soundcloud.com/ariesandgolddubs

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www.hopskotchrecords.com
www.facebook.com/hopskotchrecords
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Just upped to our channel: Parka - Climb #IDM #glitch #braindance #electronica #ambient
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Just upped to our channel: Efigi - Kesasta #IDM #glitch #braindance #experimental #electronica
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Just upped to our channel: Pond - Refirmaat #glitch #idm #experimental #abstractbeats
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In their circles
18 people
Have them in circles
47 people
liko vida nueva's profile photo
Webgrrl Biz's profile photo
Nouâmane Dalil's profile photo
Nakano Syun's profile photo
Reloaded Records's profile photo
Ole Lukoye's profile photo
Tone Knovacane's profile photo
Nigel Greenhalgh's profile photo
Rory McMahon's profile photo
Story
Tagline
hiphop // grime // glitch
Introduction
Hopskotch Records was founded in 2008 as midtempo breaks and dubstep were rapidly gaining interest on dancefloors worldwide and "bass music" was emerging as the dominant element in the dance music. As the movement stabilized, strains of homogeneity became apparent. Not content with music in boxes, the label was developed with the focus of exposing new, experimental producers working with atmospheric bass music and hip hop beats to a global audience. With such a sudden interest in broken rhythms, distortion, and snares - and eclectic labels like Merck Records & Sublight disappearing, we began work on demolishing the wall between dance music and the misunderstood dynamic void unaffectionately known as "electronica."