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Doug Rickard
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Doug Rickard

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‘Our subjectivities are composites largely formed by invasive, jealous, and conflicting forces originating in our shared economic and ideological space. And as unstable and contradictory as these forces are, so, too, are our subjectivities, such that we live alienated both from ourselves and from our surroundings. This alienation is the gap in which I work.’ …
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Doug Rickard

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The images remind me of the bulk of 70’s American photography. There is a bit of Arbus, Friedlander, Robert Frank, Garry Winogrand, Bill Owens.
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“Here he has collected thieves and murderers, but mostly thieves. Los Ladrones. Sticky fingers”. Mexican Crime Photographs from the archive of Stefan Ruiz With dry and flaking fingers, the man combs over the contents of a shoe box full of rusty paperclips and tattered and some odorous pieces of paper featuring young men, so many …
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” Its tick-box approach to images, the title, the cover, the text within capitalize on the “rough” Ugandan nightlife and seems very much directed at a Deutsche Bourse Prize/ Magnum/ Western White latte audience”. I usually start most of my reviews with a literary metaphor. I feel to do so is to examine the book …
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Julie Van Der Vaart’s “Dusk” is a shrouded piece of photographic investigation into nocturnal unreason where silver nitrate meets the dim slow hum of dull bulbs or flickering candles at best.
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Doug Rickard

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“That is just the impatient me waiting for my own teeth to fall out as I doubt I will ever find the bouffant that defines me”. I stood sifting through the remnants of somebody else’s life, the precipice correlated somewhere between the footnote of commerce and an inability to understand the language proliferating from the …
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Doug Rickard

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”Its affect is to understand that each index of latitude and longitude is to relate a conditioning of time and place in which personal narratives can be sought through the iconography of their outward display”. Here stretches the great beyond towards the edges of cartographic reason. If we intend to disciple images within the context …
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“Many photographers focus on capturing their loved ones, but it is difficult to give such portraits a universal dimension so as to be interesting to a larger audience than the immediate circle of friends and family”. By Karin Bareman, ASX The first image in Maude Schuyler Clay’s Mississippi History that mildly piqued my interest is …
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A Young Man in Curlers at Home on West 20th Street (N.Y.C. 1966) Arbus uses a strong flash to create a high-contrast photograph in “A Young Man in Curlers at Home on West 20th Street,” which is representative of the strong, conflicting ideologies of Americans in the 1960s. The man’s face is stark white compared …
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You see kids… smoking and ingenuity continue to cross paths and it is our duty to consider not only the goat but also the legend of Chase England’s “Alive with Pleasure”.
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Dashiell A. Snow was born in 1981, the son of Taya Thurman and Christopher Snow. He was also a great-grandson of the founders of the Menil Collection in Houston, Dominique de Menil and John de Menil, French aristocrats who were heirs to fortunes based in textiles and oil-drilling equipment. Dash Snow’s collage-based work was characterized …
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Have him in circles
6,296 people
Felix Seltzer's profile photo
Lé Quizmac's profile photo
Lewis Di Vito's profile photo
andrea robbocessari's profile photo
Yann Ryan's profile photo
Clark Haaland's profile photo
John Geck's profile photo
edy sujiyono's profile photo
Antonio Villalobos G.'s profile photo
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ASX, These Americans, Wirtz Gallery, Yossi Milo Gallery
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Just returned from an excellent few hours at the 57th Antique Mall. Everyone working there was fantastic, friendly and helpful. I collect American postcards and only spent $25 in total but everyone treated me as if I was a valuable customer or "regular". Also, the cafe (Evan's) is fantastic, the food great. Omelettes and burgers, etc. Looking forward to going back.
Quality: ExcellentAppeal: ExcellentService: Excellent
Public - 3 years ago
reviewed 3 years ago
1 review
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