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"Teddy Roosevelt was right— comparison truly is the thief of joy. No matter which way you spin it, comparing yourself to other people is a slippery slope to misery and is altogether best avoided.
But in a world of FOMO and YOLO, how can we avoid comparing ourselves to everyone around us? I’ve got a few tips.
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One big reason we want to share our ideas immediately is we
want that little extra boost, the confirmation that yes, that is a great idea. Of course, as many very talented people will tell you, there is no shortage of great ideas out there; there is, though, a notable lack of good executions.
Read more here: cr8.lv/1LUaOKA
If you freelance for a living, you might be shocked and disappointed to learn that the work you fought so hard for feels like…well, work. And that means that something is very, very wrong. Or does it? In fact, it’s okay for the freelance life to feel like work. Here’s why:
A Humble Approach
Have you ever heard the phrase “chop wood, carry water?” It’s a Zen proverb that goes something like this: Before Enlightenment, chop wood, carry water. After Enlightenment, chop wood, carry water. You could easily sub in the words “going full-time freelance” for Enlightenment—and the message is a healthy one for freelancers to absorb.
Read the rest -> http://cr8.lv/1LxgUQL
Over my career in the photo & film industries I’ve had the good fortune to collaborate behind-the-scenes with many of the brightest minds, top brands and most innovative products. Among those I count experiences with Apple on iPhone and other products, with Nikon on the world’s very first video DSLR (D90), Ustream and now Meerkat and Periscope on live internet broadcasting and…well…drones, software, computers, etc…game changers that completely re-defined entire industries and — most importantly from my perspective — they share the common thread of having led to the democratization of creativity.
Today marks the public debut of yet another one of those ‘pinch yourself’ highlights…the opportunity to collaborate on MIMIC. What pray tell is MIMIC you ask? Well i’ll give you this tidbit first, and then let you watch for yourself…
MIMIC represents a completely intuitive and organic way to control a cinema / video camera remotely… NOT the camera settings…but what the camera actually sees and records. You’re familiar with the concept of a steady cam, right? Well consider that with this product you can now operate a stabilized camera remotely, right from your director’s chair with a simple-to-use device that track your movements and translate them into smooth, precise camera moves.
a LOT more info, videos showing this in use here: http://blog.chasejarvis.com/blog/2015/04/mimic-launch-and-movi/
It was in these travels for commercial work that I fell in love with the New Zealand landscape and started a personal project aiming to capture that beauty from the air. Nothing too serious…more casual initially. But in the past 3 years it has grown more serious with each return. I’ve learned that mountains and landscapes can often photograph a lot like people. They have moods, personalities, essences. Capturing those has become the goal of my Aerial New Zealand project.
Read the rest + see BTS photos here: cr8.lv/1HBf5iT
That’s why I’ve come up with a pretty tight little system for packing & traveling with my GoPros. The above video really gives the full insight, but all cooked down into a tasty little reduction, it smells something like this: cr8.lv/1G46CnQ
One is the wartime photojournalist, who puts his or her life on line to document real stories and images behind the world’s most dangerous conflicts. [I’ve written about it before — Would You Die for a Photo?]. Without their work, truths get lost, and the stakes are as high as they can get.
The other is the extreme photographer. I’m not talking about the “adventure photographer” here, the guy who snaps sunset shots of a pride of lions from the safety of his Range Rover. No, I mean the photographer who captures the athletes and adventurers who are pushing the absolute limits of sport in remote and difficult locations. It’s a bit obtusely self reflexive as I often get lumped in with this action sports crew…but there is another level beyond that, I promise. These are the photographers who must both be artists behind the lens and possess the same talents being captured in front of it.
Read the rest here: cr8.lv/1BJjvvG
At the core of the work what I found was my own sense of street photography – regardless of whether it was on the street, on a train, or backstage with the band. Point being that street photograhy – the art of the snapshot if you will – is about the moment. It’s about choosing to take the photograph. It’s about mood, and –quite often–it is about talking to strangers.
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